I'

“Tessa craned her head back to look at Will. “You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.” His blue eyes were dark with understanding — of course Will would understand — and she hurried on. “I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.”
“You fear for Jem,” Will said.
“Yes,” she said. “And I fear for you, too.”
“No,” Will said, hoarsely. “Don’t waste that on me, Tess.”
― Cassandra Clare, Clockwork Princess

“I suppose the point you grow up is the point you let the dreams go.”
― Neil Gaiman, The Sandman, Vol. 9: The Kindly Ones

“Wo wei ni xie de,” he said, as he raised the violin to his left shoulder, tucking it under his chin. He had told her many violinists used a shoulder rest, but he did not: there was a slight mark on the side of his throat, like a permanent bruise, where the violin rested.

“You — made something for me?” Tessa asked.

“I wrote something for you,” he corrected, with a smile, and began to play.”
― Cassandra Clare, Clockwork Princess

“I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas.”
― Cassandra Clare, Clockwork Princess