Francesca

“We drove back through the valley, down to Ventura Boulevard, and over the hills to Hollywood and then west to the Château Marmont, waiting like Tangiers for strangers to find happiness. The land of self-enchantment had, once more, upheld its end of the deal—to be there for those willing to stay. By then, the jacaranda flowers had all fallen and squashed onto the streets in sticky mush, no longer turning the town lavender with clouds, but still they’d be there again next May and so would I.”
― Eve Babitz, Black Swans: Stories

“Women want to be loved like roses. They spend hours perfecting their eyebrows and toes and inventing irresistible curls that fall by accident down the back of their necks from otherwise austere hair-dos. They want their lover to remember the way they held a glass. They want to haunt.”
― Eve Babitz, Slow Days, Fast Company: The World, the Flesh, and L.A.

“Women are prepared to suffer for love; it's written into their birth certificates. Women are not prepared to have "everything," not success-type "everything." I mean, not when the "everything" isn't about living happily ever after with the prince (where even if it falls through and the prince runs away with the baby-sitter, there at least a precedent). There's no precedent for women getting their own "everything" and learning that it's not the answer. Especially when you got fame, money, and love by belting out how sad and lonely and beaten you were. Which is only a darker version fo the Hollywood "everything" in which the more vulnerability and ineptness you project onto the screen, the more fame, money, and love they load you with. They'll only give you "everything" if you appear to be totally confused. Which leaves you with very few friends.”
― Eve Babitz, Slow Days, Fast Company: The World, the Flesh, and L.A.

“It is a map, the body of an ex-lover, pulling you into its depths and bringing you back to a part of yourself that you thought had been left behind sometime, somewhere. It is a mirror too, though, chipped and cracked, showing all the ways you have changed; and, like every mirror, it dreams of becoming whole again.”
― Elif Shafak, The Island of Missing Trees