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“Death. Now, that was an interesting notion. One that, perhaps, he should have been more familiar with than any other being, but the truth was, he knew nothing about it at all. The Jaghut went to war against death. So many met that notion with disbelief, or confusion. They could not understand.
Who is the enemy? The enemy is surrender. Where is the battlefield? In the heart of despair. How is victory won? It lies within reach. All you need do is choose to recognize it. Failing that, you can always cheat. Which is what I did. How did I defeat death? By taking its throne.”
― The Crippled God
Who is the enemy? The enemy is surrender. Where is the battlefield? In the heart of despair. How is victory won? It lies within reach. All you need do is choose to recognize it. Failing that, you can always cheat. Which is what I did. How did I defeat death? By taking its throne.”
― The Crippled God
“I asked him for it.
For the blood, for the rust,
for the sin.
I didn’t want the pearls other girls talked about,
or the fine marble of palaces,
or even the roses in the mouth of servants.
I wanted pomegranates—
I wanted darkness,
I wanted him.
So I grabbed my king and ran away
to a land of death,
where I reigned and people whispered
that I’d been dragged.
I’ll tell you I’ve changed. I’ll tell you,
the red on my lips isn’t wine.
I hope you’ve heard of horns,
but that isn’t half of it. Out of an entire kingdom
he kneels only to me,
calls me Queen, calls me Mercy.
Mama, Mama, I hope you get this.
Know the bed is warm and our hearts are cold,
know never have I been better
than when I am here.
Do not send flowers,
we’ll throw them in the river.
‘Flowers are for the dead’, ‘least that’s what
the mortals say.
I’ll come back when he bores me,
but Mama,
not today.”
―
For the blood, for the rust,
for the sin.
I didn’t want the pearls other girls talked about,
or the fine marble of palaces,
or even the roses in the mouth of servants.
I wanted pomegranates—
I wanted darkness,
I wanted him.
So I grabbed my king and ran away
to a land of death,
where I reigned and people whispered
that I’d been dragged.
I’ll tell you I’ve changed. I’ll tell you,
the red on my lips isn’t wine.
I hope you’ve heard of horns,
but that isn’t half of it. Out of an entire kingdom
he kneels only to me,
calls me Queen, calls me Mercy.
Mama, Mama, I hope you get this.
Know the bed is warm and our hearts are cold,
know never have I been better
than when I am here.
Do not send flowers,
we’ll throw them in the river.
‘Flowers are for the dead’, ‘least that’s what
the mortals say.
I’ll come back when he bores me,
but Mama,
not today.”
―
“It is because we understand you, Toblakai, that we do not set the Hounds upon you. You bear your destiny like a standard, a grisly one, true, but then, its only distinction is in being obvious. Did you know that we too left civilization behind? The scribblers were closing in on all sides, you see. The clerks with their purple tongues and darting eyes, their shuffling feet and sloped shoulders, their bloodless lists. Oh, measure it all out! Acceptable levels of misery and suffering!’ The cane swung down, thumped hard on the ground. ‘Acceptable? Who the fuck says any level is acceptable? What sort of mind thinks that?’
Karsa grinned. ‘Why, a civilized one.’
‘Indeed!’ Shadowthrone turned to Cotillion. ‘And you doubted this one!”
― Toll the Hounds
Karsa grinned. ‘Why, a civilized one.’
‘Indeed!’ Shadowthrone turned to Cotillion. ‘And you doubted this one!”
― Toll the Hounds
“Is there anything more frightening than people?”
― Voices from Chernobyl: The Oral History of a Nuclear Disaster
― Voices from Chernobyl: The Oral History of a Nuclear Disaster
“How does a mortal make answer to what his or her kind are capable of? Does each of us, soldier or no, reach a point when all that we’ve seen, survived, changes us inside? Irrevocably changes us. What do we become, then? Less human, or more human? Human enough, or too human?”
― Deadhouse Gates
― Deadhouse Gates
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Take a look at Thomas’s Year in Books, including some fun facts about their reading.
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