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The Iliad
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by Homer
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Girl, Interrupted
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If We Were Villains
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by M.L. Rio (Goodreads Author)
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Reading for the 2nd time
read in July 2021
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Donna Tartt
“White Sky. Trees fading at the skyline, the mountains gone. My hands dangled from the cuffs of my jacket as if they weren’t my own. I never got used to the way the horizon there could just erase itself and leave you marooned, adrift, in an incomplete dreamscape that was like a sketch for the world you knew -the outline of a single tree standing in for a grove, lamp-posts and chimneys floating up out of context before the surrounding canvas was filled in-an amnesia-land, a kind of skewed Heaven where the old landmarks were recognizable but spaced too far apart, and disarranged, and made terrible by the emptiness around them.”
Donna Tartt, The Secret History

Donna Tartt
“It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
Donna Tartt, The Secret History

Donna Tartt
“Are you happy here?" I said at last.
He considered this for a moment. "Not particularly," he said. "But you're not very happy where you are, either.”
Donna Tartt, The Secret History

Donna Tartt
“It seemed my whole
life was composed of these disjointed
fractions of time, hanging around in one
public place and then another, as if I were
waiting for trains that never came. And, like
one of those ghosts who are said to linger
around depots late at night, asking
passersby for the timetable of the Midnight
Express that derailed twenty years before, I
wandered from light to light until that
dreaded hour when all the doors closed and,
stepping from the world of warmth and
people and conversation overheard, I felt
the old familiar cold twist through my bones
again and then it was all forgotten, the
warmth, the lights; I had never been warm
in my life, ever.”
Donna Tartt, The Secret History

Donna Tartt
“The Roman genius, and perhaps the Roman flaw was an obsession with order. One sees it in their architecture, their literature, their laws—this fierce denial of darkness, unreason, chaos. Easy to see why the Romans, usually so tolerant of foreign religions, persecuted the Christians mercilessly—how absurd to think a common criminal had risen from the dead, how appalling that his followers celebrated him by drinking his blood. The illogic of it frightened them and they did everything they could to crush it. In fact, I think the reason they took such drastic steps was because they were not only frightened but also terribly attracted to it. Pragmatists are often strangely superstitious. For all their logic, who lived in more abject terror of the supernatural than the Romans? The Greeks were different. They had a passion for order and symmetry, much like the Romans, but they knew how foolish it was to deny the unseen world, the old gods. Emotion, darkness, barbarism.”
Donna Tartt, The Secret History

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