Nicolette ♡
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“At the height of happiness, I have spoken of a music never heard before. So what? If only I could in a continual state of ecstasy, shaping the body of the pome with my own, rescuing every phrase with my days and weeks, imbuing the poem with my breath while feeding letters of its every word into the offering in this ceremony of living.”
― El infierno musical
― El infierno musical
“Fragments for Subduing the Silence”
I.
The powers of language are the solitary ladies who sing, desolate, with this voice of mine that I hear from a distance. And far away, in the black sand, lies a girl heavy with ancestral music. Where is death itself? I have wanted clarity in light of my lack of light. Branches die in the memory. The girl lying in the sand nestles into me with her wolf mask. The one she couldn’t stand anymore and that begged for flames and that we set on fire.
II.
When the roof tiles blow away from the house of language, and words no longer keep—that is when I speak.
The ladies in red have lost themselves in their masks. Though they will return to sob among the flowers.
Death is no mute. I hear the song of the mourners sealing the clefts of silence. I listen and the sweetness of your crying brings life to my grey silence.
III.
Death has restored to silence its own bewitching charm. And I will not say my poem and I will say it. Even if (here, now) the poem has no feeling, no future.
Boston Review: Three Poems April 15, 2015”
―
I.
The powers of language are the solitary ladies who sing, desolate, with this voice of mine that I hear from a distance. And far away, in the black sand, lies a girl heavy with ancestral music. Where is death itself? I have wanted clarity in light of my lack of light. Branches die in the memory. The girl lying in the sand nestles into me with her wolf mask. The one she couldn’t stand anymore and that begged for flames and that we set on fire.
II.
When the roof tiles blow away from the house of language, and words no longer keep—that is when I speak.
The ladies in red have lost themselves in their masks. Though they will return to sob among the flowers.
Death is no mute. I hear the song of the mourners sealing the clefts of silence. I listen and the sweetness of your crying brings life to my grey silence.
III.
Death has restored to silence its own bewitching charm. And I will not say my poem and I will say it. Even if (here, now) the poem has no feeling, no future.
Boston Review: Three Poems April 15, 2015”
―
“The spiral is a spiritualized circle. In the spiral form, the circle, uncoiled, has ceased to be vicious; it has been set free.”
― Speak, Memory
― Speak, Memory
“What am I in this instant? I’m a typewriter making the dry echo in the dark, humid dawn. I haven’t been human for a long time. They wanted me to be an object. I am an object. An object dirty with blood. An object that creates other objects and the machine creates us all. It makes demands. Mechanisms make endless demands on my life. But I don’t totally obey: if I have to be an object, let me be an object that screams. There’s something inside of me that hurts. Oh, how it hurts and how it screams for help. But tears aren’t there in the machine that is me. I’m an object without a destiny. I’m an object in whose hands? such is my human destiny. What saves me is the scream. I protest in the name of what’s inside the object behind the behind of the thought-feeling. I’m an urgent object.”
― The Stream of Life
― The Stream of Life
“It is easier, of course, to find dignity in one’s solitude. Loneliness is solitude with a problem.”
― Bluets
― Bluets
Nicolette ♡ ’s 2025 Year in Books
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