Tess

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I'm Mostly Here t...
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Broad Strokes: 15...
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Collected Poems
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Kaveh Akbar
“there was a word for this: sonder. “The realization that each random passerby is living a life as vivid and complex as your own.” Incredible, how naming something took nothing away from its stagger. Language could be totally impotent like that.”
Kaveh Akbar, Martyr!

Kaveh Akbar
“Painting saved me, but I can’t say I loved painting. I painted because I needed to. What I really loved, what I love, is having-painted. That was the high. Making something that would never have existed in the entirety of humanity had I not been there at that specific moment to make it.”
Kaveh Akbar, Martyr!

Kaveh Akbar
“When people think about travelling to the past, they do it with this wild sense of self-importance. Like, ‘gosh, I better not step on that flower or my grandfather will never be born.’ But in the present we mow our lawns and poison ants and skip parties and miss birthdays all the time. We never think of the effects of that stuff… Nobody thinks of now as the future past.”
Kaveh Akbar, Martyr!

Kaveh Akbar
“He felt a flash of familiar shame—his whole life had been a steady procession of him passionately loving what other people merely liked, and struggling, mostly failing, to translate to anyone else how and why everything mattered so much.”
Kaveh Akbar, Martyr!

“Eventually, I did some calculations and concluded that there is, on average, a five-year gap between current me being able to enjoy the me in the photos. Five years before I can clearly see myself for what I am: powerful and alive and beautiful. Ever since, when I see a photo of myself, as much as I may be put off by it (and there is plenty to be put off by, as this recent tour through my phone has evidenced) I remind myself that in five years I will love it. But I don’t want to wait five years. I want enjoyment now.”
Glynnis MacNicol, I'm Mostly Here to Enjoy Myself: One Woman's Pursuit of Pleasure in Paris

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