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nat said:
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I'm still debating whether I should continue reading this to find the sense in reading it. I told my friend, the one who let me borrow Almond, that I didn't like how it was just full of violence and ill intentions between characters, seemingly withouI'm still debating whether I should continue reading this to find the sense in reading it. I told my friend, the one who let me borrow Almond, that I didn't like how it was just full of violence and ill intentions between characters, seemingly without further ruminations on those things. I might be an optimist for saying this but I refuse to believe that the west was this unnecessarily violent and haphazard just because borders were the middle of the matter. But then I remembered that most wars occur because "someone overstepped the line".
I've been reading this book absentmindedly, too, so I don't think I should make this review yet but so far, this is what my brain is processing from all that I've read so far. I only have a dupe version of the book because the original copy was expensive. I only wanted to read the book because I saw an article saying that directors find it hard to conceptualize a film around it. I was enticed by that mystery and now, I'm stuck halfway through the book because, obviously, the reason why directors can't wrap a film concept around it was because it was unnecessarily brutal, might also cost them a lot for all of the extras to just die after showing up for a few seconds in the film. I can feel the hurt in the pocket.
Maybe I'll try reading from the start again and I'll update this review once I finish it.
Update 1: I haven't started re-reading it yet but I just wanna say that maybe I'm not one to say that it's just about senseless violence when I just finished watching a film based on Cormac McCarthy's other book No Country for Old Men and liked it....more
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