“The imaginable had always been problematic. When I was a child the feel of things went into me: deep, narrow, intense. The grittiness of the street, the chalk-white air of the drugstore, the grain of the wooden floor in the storefront library, the blocks of cheese in the grocery-store refrigerator. I took it all so seriously, so literally. I was without imagination. I paid a kind of idiot attention to the look and feel of things, leveling an intent inner stare at the prototypic face of the world. These streets were all streets, these buildings all buildings, these women and men all women and men. I could imagine no other than that which stood before me. That child’s literalness of the emotions continued to exert influence, as though a shock had been administered to the nervous system and the flow of imagination had stopped. I could feel strongly, but I could not imagine. The granite gray of the street, the American-cheese yellow of the grocery store, the melancholy brownish tint of the buildings were all still in place, only now it was the woman on the couch, the girl hanging out the window, the confinement that sealed us off, on which I looked with that same inner intentness that had always crowded out possibility as well as uncertainty. It would be years before I learned that extraordinary focus, that excluding insistence, is also called depression.”
― Fierce Attachments
― Fierce Attachments
“Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from them—if you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry.”
― The Catcher in the Rye
― The Catcher in the Rye
“We need, in love, to practice only this: letting each other go. For holding on comes easily; we do not need to learn it.”
― Translations from the Poetry of Rainer Maria Rilke
― Translations from the Poetry of Rainer Maria Rilke
“Everyone used to seem so grown up," I say. "Nobody does anymore. Look at us. Forty, fifty years ago we would have been our parents. Who are we now?" ...
"They passed," Leonard says, "that's all." Fifty years ago you entered a closet marked 'marriage.' In the closet was a double set of clothes, so stiff they could stand up by themselves. A woman stepped into a dress called 'wife' and the man stepped into a suit called 'husband.' And that was it. They disappeared inside the clothes. Today, we don't pass. We're standing here naked. That's all."
He strikes a match and holds it to his cigarette.
"I'm not the right person for this life," I say.
"Who is?" he says, exhaling in my direction.”
― The Odd Woman and the City
"They passed," Leonard says, "that's all." Fifty years ago you entered a closet marked 'marriage.' In the closet was a double set of clothes, so stiff they could stand up by themselves. A woman stepped into a dress called 'wife' and the man stepped into a suit called 'husband.' And that was it. They disappeared inside the clothes. Today, we don't pass. We're standing here naked. That's all."
He strikes a match and holds it to his cigarette.
"I'm not the right person for this life," I say.
"Who is?" he says, exhaling in my direction.”
― The Odd Woman and the City
“The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.”
― The Picture of Dorian Gray
― The Picture of Dorian Gray
Our Shared Shelf
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OUR SHARED SHELF IS CURRENTLY DORMANT AND NOT MANAGED BY EMMA AND HER TEAM. Dear Readers, As part of my work with UN Women, I have started reading ...more
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Goodreads Italia è un luogo d'incontro per gli utenti italiani e italofoni della piattaforma Goodreads. Il gruppo, nato nel 2010 e in costante evoluz ...more
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