Mel Thomas

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A Swim in a Pond ...
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The Saint of Brig...
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by Vajra Chandrasekera (Goodreads Author)
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Jonathan Strange ...
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"extremely annoyed by this fuckass book, which I mean as a compliment" Jan 09, 2026 11:47AM

 
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Robin Hobb
“Wolves have no kings.”
Robin Hobb, Royal Assassin

David Graeber
“If history shows anything, it is that there's no better way to justify relations founded on violence, to make such relations seem moral, than by reframing them in the language of debt—above all, because it immediately makes it seem that it's the victim who's doing something wrong.”
David Graeber, Debt: The First 5,000 Years

Annie Dillard
“One of the things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.”
Annie Dillard, The Writing Life

Vincent Bevins
“Looking at it this way, the major losers of the twentieth century were those who believed too sincerely in the existence of a liberal international order, those who trusted too much in democracy, or too much in what the United States said it supported, rather than what it really supported—what the rich countries said, rather than what they did. That group was annihilated.”
Vincent Bevins, The Jakarta Method: Washington's Anticommunist Crusade and the Mass Murder Program that Shaped Our World

Ursula K. Le Guin
“The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist; a refusal to admit the banality of evil and the terrible boredom of pain.”
Ursula K. LeGuin, The Ones Who Walk Away from Omelas

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