Roxanne Rashida

“Our life, it probably began inside of the ocean,’ Johnny said quietly. ‘About four thousand million years before now. Probably near hot places, like volcanoes, under the sea.’ I turned to look at him. ‘And for almost all of that long time, all the living things were water things, living inside the sea. Then, a few hundred million years ago, maybe a little more—just a little while, really, in the big history of the Earth—the living things began to be living on the land, as well.’ I was frowning and smiling at the same time, surprised and bewildered. I held my breath, afraid that any sound might interrupt his musing. ‘But in a way you can say that after leaving the sea, after all those millions of years of living inside of the sea, we took the ocean with us. When a woman makes a baby, she gives it water, inside her body, to grow in. That water inside her body is almost exactly the same as the water of the sea. It is salty, by just the same amount. She makes a little ocean, in her body. And not only this. Our blood and our sweating, they are both salty, almost exactly like the water from the sea is salty. We carry oceans inside of us, in our blood and our sweat. And we are crying the oceans, in our tears.”
― Gregory David Roberts, Shantaram

“Heroin is a sensory deprivation tank for the soul. Floating on the Dead Sea of the drug stone, there's no sense of pain, no regret or shame, no feelings of guilt or grief, no depression, and no desire. The sleeping universe enters and envelops every atom of existence. Insensible stillness and peace disperse fear and suffering. Thoughts drift like ocean weeds and vanish in the distant, grey somnolency, unperceived and indeterminable. The body succumbs to cryogenic slumber: the listless heart beats faintly, and breathing slowly fades to random whispers. Thick nirvanic numbness clogs the limbs, and downward, deeper, the sleeper slides and glides toward oblivion, the perfect and eternal stone.”
― Gregory David Roberts, Shantaram

“I understood why she did it. At that moment I knew why people tagged graffiti on the walls of neat little houses and scratched the paint on new cars and beat up well-tended children. It was only natural to want to destroy something you could never have.”
― Janet Fitch, White Oleander

“Doesn’t it bother you? That your husbands have become such a headline story, so often mentioned, that they have nearly eclipsed your work and yourself? That all anyone talks about when they talk about you are the seven husbands of Evelyn Hugo?” And her answer was quintessential Evelyn.
“No,” she told me. “Because they are just husbands. I am Evelyn Hugo. And anyway, I think once people know the truth, they will be much more interested in my wife.”
― Taylor Jenkins Reid, The Seven Husbands of Evelyn Hugo