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The Sacred and Pr...
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A Liberated Mind:...
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  (page 143 of 448)
— Oct 13, 2026 05:41AM

 
Transcendence for...
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George Saunders
“Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and, in this way, brought them forth. And now we must lose them.”
― George Saunders, Lincoln in the Bardo

Lucy Ellmann
“the fact that it’s unbelievable but every single thing alive has its own center of being, and looks out on the world from that point of view, even a worm, or a jellyfish, hamsters, owls, the fact that even a leaf has feelings, the fact that you know the leaves are enjoying this warm sun going right through them,”
― Lucy Ellmann, Ducks, Newburyport

George Saunders
“Sweetie, no one is coming. To see how good we have done/are doing. It is just us. Forever. Until a flood gets us or the air or food stops coming. What a joke, the way we live. The worry, the suspicion, the stress, the meanness. I keep dreaming that these dead are telling me what they would do if they could come back. What nobody has said so far: Rat out more folks and kick harder when asked.”
― George Saunders, Liberation Day

Robin Wall Kimmerer
“Paying attention is a form of reciprocity with the living world, receiving the gifts with open eyes and open heart.”
― Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants

George Saunders
“To put it another way: having gone about as high up Hemingway Mountain as I could go, having realized that even at my best I could only ever hope to be an acolyte up there, resolving never again to commit the sin of being imitative, I stumbled back down into the valley and came upon a little shit-hill labeled “Saunders Mountain.”

“Hmm,” I thought. “It’s so little. And it’s a shit-hill.”

Then again, that was my name on it.

This is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve. It is less, less than we wanted it to be, and yet it’s more, too—it’s small and a bit pathetic, judged against the work of the great masters, but there it is, all ours.

What we have to do at that point, I think, is go over, sheepishly but boldly, and stand on our shit-hill, and hope it will grow.”
― George Saunders, A Swim in a Pond in the Rain

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