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“Everybody has that feeling when they look at a work of art and it's right, that sudden familiarity, a sort of...recognition, as though they were creating it themselves, as though it were being created through them while they look at it or listen to it...”
― The Recognitions
― The Recognitions
“There is nothing. Only warm, primordial blackness. Your conscience ferments in it — no larger than a single grain of malt. You don't have to do anything anymore. Ever. Never ever.
An inordinate amount of time passes. It is utterly void of struggle. No ex-wives are contained within it
[...] The song of death is sweet and endless... But what is this? Somewhere in the sore, bloated *man-meat* around you — a sensation!
[...] The limbed and headed machine of pain and undignified suffering is firing up again. It wants to walk the desert. Hurting. Longing. Dancing to disco music.”
―
An inordinate amount of time passes. It is utterly void of struggle. No ex-wives are contained within it
[...] The song of death is sweet and endless... But what is this? Somewhere in the sore, bloated *man-meat* around you — a sensation!
[...] The limbed and headed machine of pain and undignified suffering is firing up again. It wants to walk the desert. Hurting. Longing. Dancing to disco music.”
―
“He chose The Metamorphosis over The Trial, he chose Bartleby over Moby-Dick, he chose A Simple Heart over Bouvard and Pecuchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze paths into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.”
― 2666
― 2666
“Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.”
―
―
“These little eccentricities on my grandfather’s part implied no ill-will whatsoever towards my friends. But Bloch had displeased my family for other reasons. He had begun by annoying my father, who, seeing him come in with wet clothes, had asked him with keen interest: “Why, M. Bloch, is there a change in the weather; has it been raining? I can’t understand it; the barometer has been ‘set fair.’” Which drew from Bloch nothing more instructive than “Sir, I am absolutely incapable of telling you whether it has rained. I live so resolutely apart from physical contingencies that my senses no longer trouble to inform me of them.” “My poor boy,” said my father after Bloch had gone, “your friend is out of his mind. Why, he couldn’t even tell me what the weather was like. As if there could be anything more interesting! He is an imbecile.”
― In Search of Lost Time [volumes 1 to 7]
― In Search of Lost Time [volumes 1 to 7]
Elliot’s 2025 Year in Books
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