Daniel Cox

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Essex Dogs: A Novel
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Chesapeake
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We the People: A ...
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Book cover for Moscow Nights: The Van Cliburn Story-How One Man and His Piano Transformed the Cold War
As contestants arrived in Moscow for the Tchaikovsky Competition, tensions between the world’s two thermonuclear-armed superpowers had never been higher. With the weapons race shifting into space, voices on both sides chillingly called for ...more
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Ed Yong
“Through centuries of effort, people have learned much about the sensory worlds of other species. But in a fraction of the time, we have upended those worlds. We now live in the Anthropocene—a geological epoch defined and dominated by the deeds of our species. We have changed the climate and acidified the oceans by releasing titanic amounts of greenhouse gases. We have shuffled wildlife across continents, replacing indigenous species with invasive ones. We have instigated what some scientists have called an era of “biological annihilation,” comparable to the five great mass extinction events of prehistory. And amid this already dispiriting ledger of ecological sins, there is one that should be especially easy to appreciate and yet is often ignored—sensory pollution. Instead of stepping into the Umwelten of other animals, we have forced them to live in ours by barraging them with stimuli of our own making.”
Ed Yong, An Immense World: How Animal Senses Reveal the Hidden Realms Around Us

“Gun rights are claimed as an American birthright and clothed in the dignity of the Constitution, but this is a false and fabricated history. To believe in the gun, you have to subscribe to a series of fantasies about the American past. You have to believe Theodore Roosevelt when he says that guns civilized the West and that the men who died “generally” deserved their fate. You have to believe Supreme Court justice Clarence Thomas when he writes that firearms brought “possibilities of salvation” to African Americans after the Civil War. You would have to believe that, for two hundred years, every court in the land got the Second Amendment wrong, until Antonin Scalia rode in with his dictionaries in 2008.”
Dominic Erdozain, One Nation Under Guns: How Gun Culture Distorts Our History and Threatens Our Democracy

Siddhartha Mukherjee
“This much is undeniably true: we’ve thrown open the black box of the cell. To snap the lid shut now might be to foreclose the possibility of a magnificent future. To keep it jammed open without guidelines and rules would be to assume that we’ve reached some tacit global agreement about what is permissible and impermissible in the manipulation of human reproduction and development—which, assuredly, we have not.....The arguments won’t be resolved easily, for they impinge not just on the fundamental features of cells, but also on the fundamental features of humans. The only way to find a reasonable answer, or even a compromise, lies in a continuous engagement with evolving debate about the limits of scientific intervention, and the advancing front of cellular technologies. Every human is a stakeholder in this debate. It involves the one, the many, and the “many many.”
Siddhartha Mukherjee, The Song of the Cell: An Exploration of Medicine and the New Human

Dennis Lehane
“Fucking whole country’s filled with nasty, unhappy, confused, pissed-off people, and not one of them with the brain power to honestly deal with their situation. They talk about simpler times—before there was AIDS and crack and gangs and mass communications and satellites and airplanes and global warming—like it’s something they could possibly get back to. And they can’t figure out why they’re so fucked up, so they find someone to blame. Niggers, Jews, whites, Chinks, Arabs, Russians, pro-choicers, pro-lifers—who do you got?”
Dennis Lehane, A Drink Before the War

Nigel Cliff
“Out of a bleak world of enmity and despair had come a tall, blond, blue-eyed Texan who loved Russia and its music with humble reverence. He had old-fashioned courtliness, a touchingly eager manner, and a spectacular way with the piano that transported them to a half-remembered past. Music that depicted the many cruelties and brutalities of that past was not for him: the Russia he summoned up with his hands was a place of magnificence, beauty, and romance.”
Nigel Cliff, Moscow Nights: The Van Cliburn Story-How One Man and His Piano Transformed the Cold War

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