Marius Solcan

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Book cover for Kitchen Confidential: Adventures in the Culinary Underbelly
A few days later, I had my diploma. I was now a graduate of the best cooking school in the country – a valuable commodity on the open market – I had field experience, a vocabulary and a criminal mind. I was a danger to myself and others.
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John Fante
“I sat smiling wretchedly, my heart weeping for The Little Dog Laughed, for every well-turned phrase, for the little flecks of poetry through it, my first story, the best thing I could show for my whole life. It was the record of all that was good in me, approved and printed by the great J. C. Hackmuth, and she had torn it up and thrown it into a spittoon.”
John Fante, Ask the Dust

Haruki Murakami
“The feel of her hand has never left me. It was different from any other hand I'd ever held, different from any touch I've ever known. It was merely the small, warm hand of a twelve-year-old girl, yet those five fingers and that palm were like a display case crammed full of everything I wanted to know--and everything I had to know. By taking my hand, she showed me what these things were. That within the real world, a place like this existed. In the space of those ten seconds I became a tiny bird, fluttering into the air, the wind rushing by. From high in the sky I could see a scene far away. It was so far off I couldn't make it out clearly, yet something was there, and I knew that someday I would travel to that place.”
Haruki Murakami, South of the Border, West of the Sun

Haruki Murakami
“A person learns how to love himself through the simple acts of loving and being loved by someone else.”
Haruki Murakami, 1Q84

John Fante
“(...) I let go, crying and unable to stop because God was such a dirty crook, contemptible skunk, that's what he was for doing that thing to that woman. Come down out of the skies, you God, come on down and I'll hammer your face all over the city of Los Angeles, you miserable unpardonable prankster. If it wasn't for you, this woman would not have been so maimed, and neither would the world, (...)”
John Fante, Ask the Dust

Haruki Murakami
“In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities, but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was the way of the world that Dostoevsky depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.”
Haruki Murakami, 1Q84

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