Steph Kapllani

“She closes her eyes. He probably won’t come back, she thinks. Or he will, differently. What they have now they can never have back again. But for her the pain of loneliness will be nothing to the pain that she used to feel, of being unworthy. He brought her goodness like a gift and now it belongs to her. Meanwhile his life opens out before him in all directions at once. They’ve done a lot of good for each other. Really, she thinks, really. People can really change one another.
You should go, she says. I’ll always be here. You know that.”
― Sally Rooney, Normal People

“His hands root me through the floor, the room stilling.
“Sorry. I just needed …”
His eyes search mine, thumbs still sweeping in that gentle rhythm. “A nap?” he teases softly, tentatively. “A fantasy novel? A competitively fast oil change?” The block of ice in my chest cracks.
“How do you do that?”
His brow furrows. “Do what?”
“Say the right thing.”
The corner of his mouth quirks. “No one thinks that.”
“I do.”
His lashes splay across his cheeks as his gaze drops.
“Maybe I just say the right thing for you.”
― Emily Henry, Book Lovers

“Life offers up these moments of joy despite everything,”
― Sally Rooney, Normal People

“But why can't the language for creativity be the language of regeneration? You killed that poem, we say. You're a killer. You came into that novel guns blazing. I am hammering this paragraph, I am banging them out, we say. I owned that workshop. I shut it down. I crushed them. We smashed the competition. I'm wrestling with the muse. The state, where people live, is a battleground state. The audience a target audience. "Good for you, man" a man once said to me at a party, "you're making a killing with poetry. You're knockin' em dead.”
― Ocean Vuong, On Earth We're Briefly Gorgeous