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The Iliad
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by Homer
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  (page 197 of 848)
Jun 29, 2025 10:49PM

 
Book cover for Mistborn: The Final Empire (Mistborn, #1)
“Everything costs money,” Ham said. “But what is money? A physical representation of the abstract concept of effort.
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Elena Ferrante
“I was not the woman who breaks into pieces under the blows of abandonment and absence, who goes mad, who dies. Only a few fragments had splintered off, for the rest I was well. I was whole, whole I would remain. To those who hurt me, I react giving back in kind. I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.”
Elena Ferrante, The Days of Abandonment

Elena Ferrante
“Eliminating herself was a sort of aesthetic project. One can't go on anymore, she said, electronics seems so clean and yet it dirties, dirties tremendously, and it obliges you to leave traces of yourself everywhere as if you were shitting and peeing on yourself continuously: I want to leave nothing, my favorite key is the one that deletes.”
Elena Ferrante, The Story of the Lost Child

Elena Ferrante
“Every intense relationship between human beings is full of traps, and if you want it to endure you have to learn to avoid them.”
Elena Ferrante, The Story of the Lost Child

Elena Ferrante
“Lila was able to speak through writing; unlike me when I wrote, unlike Sarratore in his articles and poems, unlike even many writers I had read and was reading, she expressed herself in sentences that were well constructed, and without error, even though she had stopped going to school, but–further–she left no trace of effort, you weren't aware of the artifice of the written word. I read and I saw her, I heard her. The voice set in the writing overwhelmed me, enthralled me even more than when we talked face to face; it was completely cleansed of the dross of speech, of the confusion of the oral; it had the vivid orderliness that I imagined would belong to conversation if one were so fortunate as to be born from the head of Zeus and not from the Grecos, the Cerullos.”
Elena Ferrante, My Brilliant Friend

Elena Ferrante
“Ah, the violence: tearing, killing, ripping. Lila, between fascination and horror, spoke to me in a mixture of dialect, Italian, and very educated quotations that she had taken from who knows where and remembered by heart. The entire planet, she said, is a big Fosso Carbonario.”
Elena Ferrante, The Story of the Lost Child

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