Simran Azeem

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Choi Eunyoung
“I couldn’t stand her love, which did not reject even the ugliest of my faces. I couldn’t stand it because I had been afraid of being loved from the beginning.”
Choi Eunyoung, Shoko's Smile: Stories
tags: love

Jodi Picoult
“Well, I know why you love art, even if you don’t,” Kitomi continues, as if I haven’t spoken. “Because art isn’t absolute. A photograph, that’s different. You’re seeing exactly what the photographer wanted you to see. A painting, though, is a partnership. The artist begins a dialogue, and you finish it.” She smiles. “And here’s the incredible part—that dialogue is different every time you view the art. Not because anything changes on the canvas—but because of what changes in you.”
Jodi Picoult, Wish You Were Here

Elif Shafak
“There was something childlike in the way grown-ups had a need for stories. They held a naive belief that by telling an inspiring anecdote-the right fable at the right time-they could lift their children's moods, motivate them to great achievements and simply change reality. There was no point in telling them that life was more complicated than that and words less magical than they presumed.”
Elif Shafak, The Island of Missing Trees

Choi Eunyoung
“had suffered pain beyond her imagination. Some people break up after a big fight, but there are also people who drift incrementally apart until they can’t face each other anymore. The latter stay longer in your memory.”
Choi Eunyoung, Shoko's Smile

Bano Qudsia
“آگے جانے والے لوگ پیچھے رہے ہوئے لوگوں کی طرح یاد نہیں کرتے۔
گھر سے بندھی گائے اور طرح یاد کرتی ہے اور تانگے میں جُتا ہوا گھوڑا اور طرح سے یاد کرتا ہے ۔ جِس کو کچھ مل جائے، اچھا یا بُرااُس کی یادداشت کمزور ہونے لگتی ہے ، جن کو سب کچھ کھو کر اس کا ٹوٹا پھوٹا نعم البدل بھی نہ مِلے اُن کا حافظہ بہت تیز ہو جاتا ہے اور ہر یاد بھالے کی طرح دل میں اترتی ہے۔”
Bano Qudsia, Raja Gidh / راجه گدھ

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