Christopher Waller

“It was intensely cold, with sand swirling in the air. The wind seemed to be racing past overhead, blurring the outlines of stars in the sky, except for a few of the largest ones, which shimmered slightly. There was no wind near the ground, but the freezing cold air was everywhere, opening long cracks in the wheel ruts…”
― Lao She, Rickshaw Boy

“The theater was pitch black, save for the column of rotating light emanating from the hole in the projection room to create an illusory world”
― Wang Anyi, The Song of Everlasting Sorrow: A Novel of Shanghai

“The tramcar would have gone on forever, if the city hadn't been shut down. It was. The streets were sealed off. "Ding-dingding-ding" rang the bell. Each "ding" was a small, cold dot: dot after dot, they formed a line that cut through space and time.”
― Zhang Ailing

“The old fellow gazed out at the empty tent, painted a soft green by the carbide lamps, and at the tables, now missing their tablecloths, and felt utterly desolate, imagining that this is what his funeral would be like: the tent would become a place of mourning, but there would be no dutiful sons or grandsons in mourning attire kneeling before his coffin, nothing but a few casual acquaintances playing mahjong through the night”
― Lao She, Rickshaw Boy