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Christopher Waller said:
"
Perhaps I will include a longer review some other time.In brief: very compelling characters, glacial pacing which both lends immersion and boredom, genuinely striking images, overuse of cliche and metaphor (perhaps an issue in translation?), wonderfu ...more "
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"I:1-Longtang
A scene without a character, like one big establishing shot. Wang Anyi introduces the alleyways of Shanghai, whose puddles fill with "fish scales", whose air renders strands of evening-light wearisome. And yet, from the right perspective, the undulating sea of buildings is striking: its balustrades of drying clothes look as though they come from a painting. I look forward to reading the book again!" — Sep 08, 2024 03:59PM
"I:1-Longtang
A scene without a character, like one big establishing shot. Wang Anyi introduces the alleyways of Shanghai, whose puddles fill with "fish scales", whose air renders strands of evening-light wearisome. And yet, from the right perspective, the undulating sea of buildings is striking: its balustrades of drying clothes look as though they come from a painting. I look forward to reading the book again!" — Sep 08, 2024 03:59PM
“Philosophy appears to concern itself only with the truth, but perhaps expresses only fantasies, while literature appears to concern itself only with fantasies, but perhaps it expresses the truth.”
― Pereira Maintains
― Pereira Maintains
“It was intensely cold, with sand swirling in the air. The wind seemed to be racing past overhead, blurring the outlines of stars in the sky, except for a few of the largest ones, which shimmered slightly. There was no wind near the ground, but the freezing cold air was everywhere, opening long cracks in the wheel ruts…”
― Rickshaw Boy
― Rickshaw Boy
“The exquisite watch towers, the gold and green memorial archways, the vermillion city gates, and the pavilion at Jiangshan Park were silent, as if listening to a sound they might never hear again. The wind blew, like a mournful sigh, snaking through the palace towers and the halls, as if wanting to relate tales of days past… The bridge was practically deserted. Dull moonlight shone down, cold and desolate, on expanses of ice on both sides. Dim outlines of distant pavilions cast dark shadows… with only their yellow roof tiles glimmering faintly. A white pagoda reaching into the hazy clouds cast a desolate chill on everything, causing the three lakes to reveal their northern bleakness… As he was crossing the bridge, Xiangzi shivered from the icy expanse below and refused to go any farther. Normally, when he was pulling his rickshaw across the bridge, he concentrated on his feet, afraid of a misstep, as if the sights around him did not exist. Now he was free to look, but the scenery frightened him. The cold, gray ice, the rustling trees, and the deathly pale pagoda were so forlorn… Even the white stones of the bridge at his feet seemed abnormally bleak and so white that even the street lamps were subdued and dreary. He did not want to move, he did not want to look, and he definitely did not want to be with her.”
― Rickshaw Boy
― Rickshaw Boy
“The old fellow gazed out at the empty tent, painted a soft green by the carbide lamps, and at the tables, now missing their tablecloths, and felt utterly desolate, imagining that this is what his funeral would be like: the tent would become a place of mourning, but there would be no dutiful sons or grandsons in mourning attire kneeling before his coffin, nothing but a few casual acquaintances playing mahjong through the night”
― Rickshaw Boy
― Rickshaw Boy
“Each of our friends has his defects so markedly that to continue to love him we are obliged to seek consolation for those defects -- in the thought of his talent, his goodness, his affection for ourself -- or rather to leave them out of account, and for that we need to display all our good will. Unfortunately our obliging obstinacy in refusing to see the defect in our friend is surpassed by the obstinacy with which he persists in that defect, from his own blindness to it or the blindness that he attributes to other people. For he does not notice it himself, or imagines that it is not noticed.”
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