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Middlemarch
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  (page 128 of 702)
Mar 07, 2026 06:48AM

 
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Thomas Pynchon
“Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?”
Thomas Pynchon, The Crying of Lot 49

“Women are culturally conditioned to care for others, but not ourselves. We believe that having needs, feelings, ambitions, or thoughts of our own is not good. In this self-abnegation, we enact a culturally prescribed role that perpetuates sexist social structures. The needs and thoughts of men matter, but not ours. Christian theology presents Jesus as the model of self-sacrificing love and persuades us to believe that sexism is divinely sanctioned. We are tied to the virtue of self-sacrifice, often by hidden social threats of punishment. We keep silent about rape, we deny when we are being abused, and we allow our lives to be consumed by the trivial and by our preoccupation with others. We never claim our lives as our own. We live as though we were not present in our bodies.”
Rebecca Ann Parker, Proverbs of Ashes: Violence, Redemptive Suffering, and the Search for What Saves Us

Alan             Moore
“Nothing ends, Adrian. Nothing ever ends.”
Alan Moore, Watchmen

Thomas Pynchon
“In the buses all night she listened to transistor radios playing songs in the lower stretches of the Top 200, that would never become popular, whose melodies and lyrics would perish as if they had never been sung. A Mexican girl, trying to hear one of these through snarling static from the bus’s motor, hummed along as if she would remember it always, tracing post horns and hearts with a fingernail, in the haze of her breath on the window.”
Thomas Pynchon, The Crying of Lot 49

Orson Welles
“If you want a happy ending, that depends, of course, on where you stop your story.”
Orson Welles

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