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D.T. Suzuki
“All the causes, all the conditions of satori are in the mind; they are merely waiting for the maturing. [...] From the very beginning nothing has been kept from you, all that you wished to see has been there all the time before you, it was only yourself that closed the eye to the fact. Therefore, there is in Zen nothing to explain, nothing to teach, that will add to your knowledge. Unless it grows out of yourself no knowledge is really yours, it is only a borrowed plumage.”
D.T. Suzuki, An Introduction to Zen Buddhism

Charles Dickens
“For, as I draw closer and closer to the end, I travel in the circle, nearer and nearer to the beginning.”
Charles Dickens, A Tale of Two Cities

Mansur al-Hallaj
“I saw my Lord with the eye of my heart
I said: ‘Who are you?’ He said: ‘You!’
But for You, ‘where’ cannot have a place
And there is no ‘where’ when it concerns You.
The mind has no image of your existence in time
Which would permit the mind to know where you are.
You are the one who encompasses every ‘where’
Up to the point of no-where
So where are you?”
Mansur al-Hallaj

Gabrielle Zevin
“A great textile, like the William Morris Strawberry Thief, is a piece of art, but it takes a lot of time to make a piece of art. It isn't simply design either. You have to understand the fabrics and what they can bear. You have to understand the dyeing process and how to achieve certain colors and what will make the color last through the ages. If you make a mistake, you might have to begin again."
"I don't think I know Strawberry Thief," Sadie said.
"One moment," Mrs. Watanabe said. Mrs. Watanabe went into her bedroom, and she returned with a little footstool that was upholstered in a reproduction of Strawberry Thief. The pattern depicted birds and strawberries in a garden, and although Sadie hadn't known the name, she recognized the print when she saw it.
"This was William Morris's garden. These were his strawberries. Those were birds he knew. No designer had ever used red or yellow in an indigo discharge dyeing technique before. He must have had to start over many times to get the colors right. This fabric is not just a fabric. It's the story of failure and of perseverance, of the discipline of a craftsman, of the life of an artist.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Murasaki Shikibu
“One lovely twilight, with the near garden in riotous bloom, Genji stepped onto a gallery that gave him a view of the sea, and such was the supernal grace of his motionless figure that he seemed in that setting not to be of this world at all. Over soft white silk twill and aster he wore a dress cloak of deep blue, its sash only very casually tied; and his voice slowly chanting “I, a disciple of the Buddha Shakyamuni…” was more beautiful than any they had ever heard before. From boats rowing by at sea came a chorus of singing voices. With a pang he watched them, dim in the offing, like little birds borne on the waters, and sank into a reverie as cries from lines of geese on high mingled with the creaking of oars, until tears welled forth, and he brushed them away with a hand so gracefully pale against the black of his rosary that the young gentlemen pining for their sweethearts at home were all consoled.”
Murasaki Shikibu, The Tale of Genji

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