Andrea

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Paved Paradise: H...
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H is for Hawk
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Love in Exile
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Book cover for Lonely Crowds: A Novel
A boy read Kant and ate a green apple beneath the shade of a tall tree, but when we came closer we saw he was only on the first page.
Andrea
L O L ain’t it always only the first page
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Patricia Lockwood
“was an empty copper outline and “prettiness” seemed to glitter. “Calamity” was alarm bells, and in “aristocrat” there was the sharp triangle of a cravat, and in “sea serpent” one loop of the green muscle. It was as if I could read the surfaces of words, and their real hearts, but not their information. Even “word” had a picture—I saw a blond hostess in a spangled dress turning black and white letters over one by one. When I read, the meaning swam and the images leaped out and the words gave up their doubles. When I wrote, the same thing happened with the paper. “You start by thinking sideways,” I tell her. “First you sit in a sunlit room, and you look at the wall but really look through it, and you read your book but really read past it.”
Patricia Lockwood, Priestdaddy: A Memoir

Patricia Lockwood
“I showed it to my mother, and after she finished reading, I burst out, “I feel so pure and so clean—I feel all emptied out,” just those words, without any embarrassment at all, and she said eagerly, “Oh no, I would think you would feel all filled up,” and I laughed, and didn’t volunteer information of that kind again, because after all it wasn’t necessary to tell your mother everything. A kind of stinginess, it seems to me now. “Is it ADD?” she asks me. “Your father gave you all ADD, you know.” Sensing that this is not entirely fair, she adds graciously, “And then I gave you ADD as well.” “Maybe,” I say, laughing again. It was true I always had trouble listening and remembering, trouble hearing people when they explained simple facts to me. When I read, my head seemed to go diagonal, and I swore I saw things in the sentences—not what I was supposed to see. When I read the words “moonlit swim,” I saw the moonlight slicked all over the bare skin. The word “sunshine” had a washed look, with the sweep of a rag in the middle of it. The word “violinist” was a fig cut in half. “String quartet” was a cat’s cradle held between two hands. “Penniless”
Patricia Lockwood, Priestdaddy: A Memoir

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