Amul Saha

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Recursion
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by Blake Crouch (Goodreads Author)
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Book cover for The Children of Tomorrow: A Monk's Guide to Mindful Parenting
When parents are too excited to introduce something to a child, the child almost always rejects it. I don’t think children do it consciously – it’s more a reflex action in the beginning. They hear parents saying no all the time and that no ...more
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Paula Hawkins
“I have never understood how people can blithely disregard the damage they do by following their hearts.”
Paula Hawkins, The Girl on the Train

Paula Hawkins
“I am not the girl I used to be. I am no longer desirable, I’m off-putting in some way. It’s not just that I’ve put on weight, or that my face is puffy from the drinking and the lack of sleep; it’s as if people can see the damage written all over me, can see it in my face, the way I hold myself, the way I move.”
Paula Hawkins, The Girl on the Train

Hanya Yanagihara
“...things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.”
Hanya Yanagihara, A Little Life

Haruki Murakami
“Of course it was painful, and there were times when, emotionally, I just wanted to chuck it all. But pain seems to be a precondition for this kind of sport. If pain weren't involved, who in the world would ever go to the trouble of taking part in sports like the triathlon or the marathon, which demand such an investment of time and energy? It's precisely because of the pain, precisely because we want to overcome that pain, that we can get the feeling, through this process, of really being alive--or at least a partial sense of it. Your quality of experience is based not on standards such as time or ranking, but on finally awakening to an awareness of the fluidity within action itself.”
Haruki Murakami, What I Talk About When I Talk About Running

Paula Hawkins
“One for sorrow, two for joy, three for a girl . . . Three for a girl. I’m stuck on three, I just can’t get any further. My head is thick with sounds, my mouth thick with blood. Three for a girl. I can hear the magpies—they’re laughing, mocking me, a raucous cackling. A tiding. Bad tidings. I can see them now, black against the sun. Not the birds, something else. Someone’s coming. Someone is speaking to me. Now look. Now look what you made me do.”
Paula Hawkins, The Girl on the Train

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