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Yukio Mishima
“…but now, along this high, rocky road, it was the leaves of cherry trees that predominated. From the bridge on, these lay like fallen red flowers. Some wet leaves, already decaying, had faded to a pink that was the color of the dawn. Why should decay take the color of the dawn?”
Yukio Mishima, Runaway Horses

Yasunari Kawabata
“In a gourd that had been handed down for three centuries, a flower that would fade in a morning.”
Yasunari Kawabata, Thousand Cranes

Yasunari Kawabata
“Now, even more than the evening before, he could think of no one with whom to compare her. She had become absolute, beyond comparison. She had become decision and fate.”
Yasunari Kawabata, Thousand Cranes

Yukio Mishima
“Time is what matters. As time goes by, you and I will be carried inexorably into the mainstream of our period, even though we’re unaware of what it is. And later, when they say that young men in the early Taisho era thought, dressed, talked, in such and such a way, they’ll be talking about you and me. We’ll all be lumped together…. In a few decades, people will see you and the people you despise as one and the same, a single entity.”
Yukio Mishima, Spring Snow

Yasunari Kawabata
“He was conscious of an emptiness that made him see Komako’s life as beautiful but wasted, even though he himself was the object of her love; and yet the woman’s existence, her straining to live, came touching him like naked skin. He pitied her, and he pitied himself.”
Yasunari Kawabata, Snow Country

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