“You're up early," I said.
"I always rise early. The morning is the best time for me to work."
I glanced at the books. "What are you going, Greek?"
Henry set the cup back into its saucer. "A translation of Paradise Lost."
"Into what language?"
"Latin," he said solemly.
"Hmm," I said. "Why?"
"I am interested to see what I will wind up with. Milton to my way of thinking is our greatest English poet, greater than Shakespeare, but I think in some ways it was unfortunate that he chose to write in English — of course, he wrote a not inconsiderable amount of poetry in Latin, but that was early, in his student days; what I'm referring to is the later work. In Paradise Lost he pushes English to its very limits but I think no language without noun cases could possible support the structural order he attempts to impose. He laid his cigarette back into the ashtray.”
―
"I always rise early. The morning is the best time for me to work."
I glanced at the books. "What are you going, Greek?"
Henry set the cup back into its saucer. "A translation of Paradise Lost."
"Into what language?"
"Latin," he said solemly.
"Hmm," I said. "Why?"
"I am interested to see what I will wind up with. Milton to my way of thinking is our greatest English poet, greater than Shakespeare, but I think in some ways it was unfortunate that he chose to write in English — of course, he wrote a not inconsiderable amount of poetry in Latin, but that was early, in his student days; what I'm referring to is the later work. In Paradise Lost he pushes English to its very limits but I think no language without noun cases could possible support the structural order he attempts to impose. He laid his cigarette back into the ashtray.”
―
“One might fancy that day, the London day, was just beginning. Like a woman who had slipped off her print dress and white apron to array herself in blue and pearls, the day changed, put off stuff, took gauze, changed to evening, and with the same sigh of exhilaration that a woman breathes, tumbling petticoats on the floor, it too shed dust, heat, colour; the traffic thinned; motor cars, tinkling, darting, succeeded the lumber of vans; and here and there among the thick foliage of the squares an intense light hung. I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning. I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry.”
― Mrs. Dalloway
― Mrs. Dalloway
“Tis a Fearful Thing
‘Tis a fearful thing
to love what death can touch.
A fearful thing
to love, to hope, to dream, to be –
to be,
And oh, to lose.
A thing for fools, this,
And a holy thing,
a holy thing
to love.
For your life has lived in me,
your laugh once lifted me,
your word was gift to me.
To remember this brings painful joy.
‘Tis a human thing, love,
a holy thing, to love
what death has touched.”
―
‘Tis a fearful thing
to love what death can touch.
A fearful thing
to love, to hope, to dream, to be –
to be,
And oh, to lose.
A thing for fools, this,
And a holy thing,
a holy thing
to love.
For your life has lived in me,
your laugh once lifted me,
your word was gift to me.
To remember this brings painful joy.
‘Tis a human thing, love,
a holy thing, to love
what death has touched.”
―
“Paris is the only city in the world where starving to death is still considered an art.”
― The Shadow of the Wind
― The Shadow of the Wind
“There's no such thing as dead languages, only dormant minds.”
― The Shadow of the Wind
― The Shadow of the Wind
Isabelle’s 2025 Year in Books
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