Megan O'Connor

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Sex and Rage
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Gabrielle Zevin
“If you're always aiming for perfection, you won't make anything at all.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Patrick Radden Keefe
“According to one scholar, the “ideal victim” in the Troubles was someone who was not a combatant, but a passive civilian. To many, Jean McConville was the perfect victim: a widow, a mother of ten. To others, she was not a victim at all, but a combatant by proxy, who courted her own fate. Of course, even if one were to concede, for the sake of argument, that McConville was an informer, there is no moral universe in which her murder and disappearance should be justified. Must it be the case that how one perceives a tragedy will forever depend on where one sits? The anthropologist Claude Lévi-Strauss once observed that, “for the majority of the human species, and for tens of thousands of years, the idea that humanity includes every human being on the face of the earth does not exist at all. The designation stops at the border of each tribe, or linguistic group, sometimes even at the edge of a village.” When it came to the Troubles, a phenomenon known as “whataboutery” took hold. Utter the name Jean McConville and someone would say, What about Bloody Sunday? To which you could say, What about Bloody Friday? To which they could say, What about Pat Finucane? What about the La Mon bombing? What about the Ballymurphy massacre? What about Enniskillen? What about McGurk’s bar? What about. What about. What about.”
Patrick Radden Keefe, Say Nothing: A True Story of Murder and Memory in Northern Ireland

Gabrielle Zevin
“We are all living, at most, half of a life, she thought. There was the life you lived, which consisted of the choices you made. And then, there was the other life, the one that was the things you hadn't chosen.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Trevor Noah
“Nelson Mandela once said, 'If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart.' He was so right. When you make the effort to speak someone else's language, even if it's just basic phrases here and there, you are saying to them, 'I understand that you have a culture and identity that exists beyond me. I see you as a human being”
Trevor Noah, Born a Crime: Stories From a South African Childhood

Brendan Slocumb
“He would tell you that music is truly a universal language, and that we the listeners will always impose our own fears and biases, our own hopes and hungers on whatever we hear. He would tell you that the rhythm that spurred on Tchaikovsky is the same rhythm that a kid in a redneck North Carolina town would beat with a stick against a fallen tree. It is a rhythm in all of us. Music is about communication, a way of touching your fellow man, beyond and above and below language. It is a language all its own.”
Brendan Slocumb, The Violin Conspiracy

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