Ana Ra

“What's everyone talking about?"
"The end of The Iliad."
"That's the best part," Marx said.
"Why is it the best part?" Sadie asked.
"Because it's perfect," Marx said. "'Tamer of horses' is an honest profession. The lines mean that one doesn't have to be a god or a king for your life to have meaning.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“What is a game?" Marx said. "It's tomorrow, and tomorrow, and tomorrow. It's the possibility of infinite rebirth, infinite redemption. The idea that if you keep playing, you could win. No loss is permanent, because nothing is permanent, ever.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“This is what time travel is. It’s looking at a person, and seeing them in the present and the past, concurrently. And that mode of transport only worked with those one had known a significant time.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“Sadie, do you see this? This is a persimmon tree! This is my favorite fruit." Marx picked a fat orange persimmon from the tree, and he sat down on the now termite-free wooden deck, and he ate it, juice running down his chin. "Can you believe our luck?" Max said. "We bought a house with a tree that has my actual favorite fruit!"
Sam used to say that Marx was the most fortunate person he had ever met - he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn't truly understood the nature of Marx's good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know - were persimmons his favorite fruit, or had hey just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow