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Tchipakkan
https://www.goodreads.com/tchipakkan
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currently-reading (464)
read (2262)
fiction (186)
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metaphysics (40)
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“If Mr. Blood had condescended to debate the matter with these ladies, he might have urged that having had his fill of wandering and adventuring, he was now embarked upon the career for which he had been originally intended and for which his studies had equipped him; that he was a man of medicine and not of war; a healer, not a slayer.”
― Captain Blood
― Captain Blood
“Peter Blood judged her- as we are all prone to do- upon insufficient knowledge.”
― Captain Blood
― Captain Blood
“There is a theory that men do not need Paganism because they have endless avenues of societal power available. Why use spells when one can get a bank loan with little trouble? The world already bends over backward to accommodate men, so why perfect the art of magickally shaping it?”
― Pagan Standard Times: Essays on the Craft
― Pagan Standard Times: Essays on the Craft
“It has generally been assumed that fairy tales were first created for children and are largely the domain of children. But nothing could be further from the truth.
From the very beginning, thousands of years ago, when tales were told to create communal bonds in face of the inexplicable forces of nature, to the present, when fairy tales are written and told to provide hope in a world seemingly on the brink of catastrophe, mature men and women have been the creators and cultivators of the fairy tale tradition. When introduced to fairy tales, children welcome them mainly because they nurture their great desire for change and independence. On the whole, the literary fairy tale has become an established genre within a process of Western civilization that cuts across all ages. Even though numerous critics and shamans have mystified and misinterpreted the fairy tale because of their spiritual quest for universal archetypes or their need to save the world through therapy, both the oral and the literary forms of the fairy tale are grounded in history: they emanate from specific struggles to humanize bestial and barbaric forces, which have terrorized our minds and communities in concrete ways, threatening to destroy free will and human compassion. The fairy tale sets out to conquer this concrete terror through metaphors.”
― Spells of Enchantment: The Wondrous Fairy Tales of Western Culture
From the very beginning, thousands of years ago, when tales were told to create communal bonds in face of the inexplicable forces of nature, to the present, when fairy tales are written and told to provide hope in a world seemingly on the brink of catastrophe, mature men and women have been the creators and cultivators of the fairy tale tradition. When introduced to fairy tales, children welcome them mainly because they nurture their great desire for change and independence. On the whole, the literary fairy tale has become an established genre within a process of Western civilization that cuts across all ages. Even though numerous critics and shamans have mystified and misinterpreted the fairy tale because of their spiritual quest for universal archetypes or their need to save the world through therapy, both the oral and the literary forms of the fairy tale are grounded in history: they emanate from specific struggles to humanize bestial and barbaric forces, which have terrorized our minds and communities in concrete ways, threatening to destroy free will and human compassion. The fairy tale sets out to conquer this concrete terror through metaphors.”
― Spells of Enchantment: The Wondrous Fairy Tales of Western Culture
“And where are the other gentry that were taken?—the real leaders of this plaguey rebellion. Grey’s case explains their absence, I think. They are wealthy men that can ransom themselves. Here awaiting the gallows are none but the unfortunates who followed; those who had the honor to lead them go free. It’s a curious and instructive reversal of the usual way of things. Faith, it’s an uncertain world entirely!”
― Captain Blood
― Captain Blood
Tchipakkan’s 2025 Year in Books
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