“Regardless, nobody thought it was actually Elvis,” I continue. “No shade to David Duchovny—he did a great job. I also had a good reason to include him. Elvis was a symbol of my relationship with fame and celebrity.” “I still don’t see the
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“So people turn to the realms of fantasy for stability, ancient truths, immutable simplicities. And the mills of capitalism provide them. Supply meets demand. Fantasy becomes a commodity, an industry. Commodified fantasy takes no risks: it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual and ethical complexity, turning their action to violence, their actors to dolls, and their truth-telling to sentimental platitude. Heroes brandish their swords, lasers, wands, as mechanically as combine harvesters, reaping profits. Profoundly disturbing moral choices are sanitized, made cute, made safe. The passionately conceived ideas of the great storytellers are copied, stereotyped, reduced to toys, molded in bright-colored plastic, advertised, sold, broken, junked, replaceable, interchangeable.”
― Tales from Earthsea: A Beloved Anthology of Fantasy Stories—Magic, Wizardry, and Dragons
― Tales from Earthsea: A Beloved Anthology of Fantasy Stories—Magic, Wizardry, and Dragons
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