Autumn

“But what becomes of the divinity when it reveals itself in icons, when it is simply incarnated in images as a visible theology? Or does it volatilize itself in the simulacra that, alone, deploy their power and pomp of fascination - the visible machinery of icons substituted for the pure and intelligible Idea of God? This is precisely what was feared by Iconoclasts, whose millennial quarrel is still with us today. This is precisely because they predicted this omnipotence of simulacra, the faculty simulacra have of effacing God from the conscience of man, and the destructive, annihilating truth that they allow to appear - that deep down God never existed, even God himself was never anything but his own simulacra - from this came their urge to destroy the images. If they could have believed that these images only obfuscated or masked the Platonic Idea of God, there would have been no reason to destroy them. One can live with the idea of distorted truth. But their metaphysical despair came from the idea that the image didn't conceal anything at all.”
― Jean Baudrillard, Simulacra and Simulation

“You couldn't relive your life, skipping the awful parts, without losing what made it worthwhile. You had to accept it as a whole--like the world, or the person you loved.”
― Stewart O'Nan, The Odds: A Love Story

“Finally, she mused that human existence is as brief as the life of autumn grass, so what was there to fear from taking chances with your life?”
― Mo Yan, Red Sorghum

“The heaviness of loss in her heart hadn't eased, but there was room there for humour, too.”
― Nalo Hopkinson, Brown Girl in the Ring