Nick Adams

“Why? The answer is central to any understanding of media. Why does a child like to chatter about the events of its day, however jerkily? Why do we prefer novels and movies about familiar scenes and characters? Because for rational beings to see or re-cognize their experience in a new material form is an unbought grace of life. Experience translated into a new medium literally bestows a delightful playback of earlier awareness. The press repeats the excitement we have in using our wits, and by using our wits we can translate the outer world into the fabric of our own beings.”
― Marshall McLuhan, Understanding Media: The Extensions of Man

“Satire,” said Swift, “is a glass in which we see every countenance but our own.”
― Marshall McLuhan, Understanding Media: The Extensions of Man

“My dear, you think too hard," was all she said. "Come here." She stood up and wrapped me in her arms. We cried and sobbed and wept and bled tears. But when we were finished, all we could do was continue living.”
― Nnedi Okorafor, Who Fears Death

“The same nursery rhyme comments on the consequences of the fall of Humpty-Dumpty. That is the point about the King’s horses and men. They, too, are fragmented and specialized. Having no unified vision of the whole, they are helpless. Humpty-Dumpty is an obvious example of integral wholeness. The mere existence of the wall already spelt his fall. James Joyce in Finnegans Wake never ceases to interlace these themes, and the title of the work indicates his awareness that “a-stone-aging” as it may be, the electric age is recovering the unity of plastic and iconic space, and is putting Humpty-Dumpty back together again.”
― Marshall McLuhan, Understanding Media: The Extensions of Man