aurora
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Love and Other Words
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by Christina Lauren (Goodreads Author)
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The Left Hand of ...
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My Friends
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by Fredrik Backman (Goodreads Author)
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See all 4 books that aurora is reading…
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Anne de Marcken
“I don't miss my name and I haven't bothered to replace it. I miss your name. I'm sorry but I have forgotten it, too. I don't look for it on the walls. The thought that I might read it and pass it by, just to go on to the next name is terrible. Like meeting you in another life and failing to recognize you.”
Anne de Marcken, It Lasts Forever and Then It's Over

Gabrielle Zevin
“The alternative to appropriation is a world in which artists only reference their own cultures."

"That's an oversimplification of the issue."

"The alternative to appropriation is a world where white European people make art about white European people with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world don't you? I'm terrified of that world and I don't want to live in a that world, and as a mixed race person, I literally don't exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Korea Town Los Angeles and as any mixed race person will tell you-- to be half of two things is to be whole of nothing.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Anne de Marcken
“I close my eyes and try to breathe but the end of the world is in my throat.”
Anne de Marcken, It Lasts Forever and Then It's Over

Kaveh Akbar
“He felt a flash of familiar shame—his whole life had been a steady procession of him passionately loving what other people merely liked, and struggling, mostly failing, to translate to anyone else how and why everything mattered so much.”
Kaveh Akbar, Martyr!

Ia Genberg
“When I was younger, I often thought I should travel more and farther, spend more time in foreign countries, that I should be in a constant state of velocity so that I could get out of there and truly live, but with time I have come to understand that everything I was looking for was right here, inside of me, inside the things that surround me, in the money bobs that turned into my actual jobs, in the constancy of the everyday, in the eyes of the people I meet when I allow my gaze to linger. I'm writing again after the fever, as if an old, welcome wound has opened and started to bleed, and I guess it's an incomplete puzzle, these pictures of others and whoever they end up portraying. . . . 'Soon it will be too late,' [Sally] says, and hands me the thermos. 'And that's why we have to exert ourselves to the utmost.”
Ia Genberg, Detaljerna

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