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Cortney
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“Don't you remember, she told him then, when you were nothing but shadow and smoke?
Darling, he'd said in his soft, rich way, I was the night itself.”
― The Invisible Life of Addie LaRue
Darling, he'd said in his soft, rich way, I was the night itself.”
― The Invisible Life of Addie LaRue
“He is all restless energy, and urgent need, and there isn't enough time, and he knows of course that there will never be.
That time always ends a second before you're ready.
That life is the minutes you want minus one.”
― The Invisible Life of Addie LaRue
That time always ends a second before you're ready.
That life is the minutes you want minus one.”
― The Invisible Life of Addie LaRue
“A dreamer,” scorns her mother.
“A dreamer,” mourns her father.
“A dreamer,” warns Estele.
Still, it does not seem such a bad word.”
― The Invisible Life of Addie LaRue
“A dreamer,” mourns her father.
“A dreamer,” warns Estele.
Still, it does not seem such a bad word.”
― The Invisible Life of Addie LaRue
“Because time is cruel to all, and crueler still to artists. Because visions weakens, and voices wither, and talent fades.... Because happiness is brief, and history is lasting, and in the end... everyone wants to be remembered”
― The Invisible Life of Addie LaRue
― The Invisible Life of Addie LaRue
“That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space.
It was the Song of Eyllwe.
Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.
And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.
When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.
The next morning, by royal decree, the theatre was shut down.
No one saw those musicians or their conductor again.”
― Heir of Fire
It was the Song of Eyllwe.
Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.
And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.
When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.
The next morning, by royal decree, the theatre was shut down.
No one saw those musicians or their conductor again.”
― Heir of Fire
Cortney’s 2025 Year in Books
Take a look at Cortney’s Year in Books, including some fun facts about their reading.
Favorite Genres
Polls voted on by Cortney
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