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A Ghost in the Th...
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The Poisonwood Bible
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Anne Carson
“What would it be like
to live in a library
of melted books.

With sentences streaming over the floor
and all the punctuation
settled to the bottom as a residue.

It would be confusing.
Unforgivable.
A great adventure.”
Anne Carson

Anne Carson
“M: Is he smart
I: She yes very smart sees right through me
M: In my day we valued blindness rather more”
Anne Carson, Plainwater: Essays and Poetry

A.A. Milne
“Supposing a tree fell down, Pooh, when we were underneath it?'
'Supposing it didn't,' said Pooh after careful thought.
Piglet was comforted by this.”
A.A. Milne

Anne Carson
“Eros is an issue of boundaries. He exists because certain boundaries do. In the interval between reach and grasp, between glance and counterglance, between ‘I love you’ and ‘I love you too,’ the absent presence of desire comes alive. But the boundaries of time and glance and I love you are only aftershocks of the main, inevitable boundary that creates Eros: the boundary of flesh and self between you and me. And it is only, suddenly, at the moment when I would dissolve that boundary, I realize I never can.”
Anne Carson, Eros the Bittersweet

Anne Carson
“There is a theory that watching unbearable stories about other people lost in grief and rage is good for you—may cleanse you of your darkness. Do you want to go down to the pits of yourself all alone? Not much. What if an actor could do it for you? Isn’t that why they are called actors? They act for you. You sacrifice them to action. And this sacrifice is a mode of deepest intimacy of you with your own life. Within it you watch [yourself] act out the present or possible organization of your nature. You can be aware of your own awareness of this nature as you never are at the moment of experience. The actor, by reiterating you, sacrifices a moment of his own life in order to give you a story of yours.”
Anne Carson, Grief Lessons: Four Plays by Euripides

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