Margaret

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Green & Deadly Th...
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Villette
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Margaret Margaret said: " I can do no better to begin with than to quote George Eliot, who upon reading Villette called it "a still more wonderful book than Jane Eyre".

Villette is darker and more realistic than Jane Eyre, and more autobiographical (and perhaps thus even more
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See all 4 books that Margaret is reading…
Book cover for Our Time Is Now: Power, Purpose, and the Fight for a Fair America
Single-strand identities do not exist in a household, let alone in a nation. When America is at its best, we acknowledge the complexity of our societies and the complicating reality of how we experience this country—and its obstacles. Yet ...more
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Ijeoma Oluo
“Where do you light the fire?” Tarana Burke asks. “Your sphere of influence is a perfect place to start and end. . . . And if that is where you are a revolution for the rest of your life, that’s okay. What this moment in time tries to tell us is that your work is not real, your efforts aren’t big enough—if it’s not the Me Too movement, if it’s not Black Lives Matter, if it’s not that, then you haven’t done your job, you haven’t done enough. But I think that people need to understand just how important it is for people to see you want to be a revolution, for you to understand the people who you are influencing right around you. And that’s enough.”
Ijeoma Oluo, Be a Revolution: How Everyday People Are Fighting Oppression and Changing the World—and How You Can, Too

Peter S. Beagle
“My mother, sometimes she says that everybody in the world is a donkey with the heart of a lion. Everybody. Only most people don’t ever discover it—they don’t have to, they get along all right just being donkeys. But it’s there, always, if you really need it. If you really want to find it. If you look for it.”
Peter S. Beagle, I'm Afraid You've Got Dragons

Patrick   Stewart
“Reading 1: What is the narrative, the story? Reading 2: What is the play about? Reading 3: What does my character say about himself? Reading 4: What do other characters say about my character when he is present? Reading 5: What do other characters say about my character when he is absent? Reading 6: What is true in the play? Reading 7: What is false in the play? Reading 8: What does the character actually do?”
Patrick Stewart, Making It So: A Memoir

“No matter the problem, no matter the actions of an aggressor, the fault is mine. Regardless of the politics or life experience of the person I am talking to, the answer comes like clockwork. I guess if you hate it that much, you should just lose weight. But despite its ubiquity in conversations about fatness and fat people, that is the logic of abuse. You made me do this. I wouldn’t hurt you if you didn’t make me. Just because we are accustomed to hearing it doesn’t make it healthy, productive, humane, or helpful. Its functions are threefold: One, to absolve us of any responsibility to address a widespread social problem. Two, to free us from having to re-examine our own beliefs and biases. And three, to silence and isolate fat people, to show us that any complaint we lodge and any issue we raise will be for naught, and may even cost us relationships, respect, comfort, and safety.”
Aubrey Gordon, What We Don't Talk About When We Talk About Fat

Dahlia Lithwick
“The threat of “Lock her up”—so chilling to women who heard it hurled at Hillary Clinton, Nancy Pelosi, and Christine Blasey Ford—is the threat that what looks like law will become the mechanism for undoing the law. For the millions of American women who witnessed Ford’s testimony and Kavanaugh’s response, the icy realization that male entitlement, threats, and fury could still outrun and overmaster the truth, even in a process that purported to surface the truth, was another earthquake in the Trump years. Law or the trappings of law could be used to silence and sideline women. That isn’t a fight about equality; it’s a fear of retribution.”
Dahlia Lithwick, Lady Justice: Women, the Law, and the Battle to Save America

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