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“Others would always be out there, trying to knock me down, to tell me who I was or who they thought I should be. People carved words into weapons often, but they only had power if I listened to them instead of trusting in myself.”
― Kingdom of the Wicked
― Kingdom of the Wicked
“In your honesty, I saw a reflection of myself. Or rather, of the man I longed to be. So I failed you. I didn’t stay away. Then, later, I thought if I had answers, it would be enough. I would no longer care. You would no longer matter. So I continued failing you. Continued wanting more. And now I can’t find the words to say what must be said. To convey to you the least of what I owe. When I think of you, I can’t find the air to b r e a t h e.”
― The Wrath and the Dawn
― The Wrath and the Dawn
“Like a noose around my neck, The Fates have tied a string to you and me. It tightened around my roots and pulled me from the ground long enough for you to put the pomegranate seeds in my mouth. And I should want to make you bleed dear Hades, but all I keep on thinking is how good the darkness tastes to me. And when Spring has sprung, I’ll use my powers to grow my roses with the sharpest of thorns, and you won’t know what is happening until I make you bleed.
Love, Persephone”
―
Love, Persephone”
―
“I asked him for it.
For the blood, for the rust,
for the sin.
I didn’t want the pearls other girls talked about,
or the fine marble of palaces,
or even the roses in the mouth of servants.
I wanted pomegranates—
I wanted darkness,
I wanted him.
So I grabbed my king and ran away
to a land of death,
where I reigned and people whispered
that I’d been dragged.
I’ll tell you I’ve changed. I’ll tell you,
the red on my lips isn’t wine.
I hope you’ve heard of horns,
but that isn’t half of it. Out of an entire kingdom
he kneels only to me,
calls me Queen, calls me Mercy.
Mama, Mama, I hope you get this.
Know the bed is warm and our hearts are cold,
know never have I been better
than when I am here.
Do not send flowers,
we’ll throw them in the river.
‘Flowers are for the dead’, ‘least that’s what
the mortals say.
I’ll come back when he bores me,
but Mama,
not today.”
―
For the blood, for the rust,
for the sin.
I didn’t want the pearls other girls talked about,
or the fine marble of palaces,
or even the roses in the mouth of servants.
I wanted pomegranates—
I wanted darkness,
I wanted him.
So I grabbed my king and ran away
to a land of death,
where I reigned and people whispered
that I’d been dragged.
I’ll tell you I’ve changed. I’ll tell you,
the red on my lips isn’t wine.
I hope you’ve heard of horns,
but that isn’t half of it. Out of an entire kingdom
he kneels only to me,
calls me Queen, calls me Mercy.
Mama, Mama, I hope you get this.
Know the bed is warm and our hearts are cold,
know never have I been better
than when I am here.
Do not send flowers,
we’ll throw them in the river.
‘Flowers are for the dead’, ‘least that’s what
the mortals say.
I’ll come back when he bores me,
but Mama,
not today.”
―
“When Hades decided he loved this girl
he built for her a duplicate of earth,
everything the same, down to the meadow,
but with a bed added.
Everything the same, including sunlight,
because it would be hard on a young girl
to go so quickly from bright light to utter darkness
Gradually, he thought, he’d introduce the night,
first as the shadows of fluttering leaves.
Then moon, then stars. Then no moon, no stars.
Let Persephone get used to it slowly.
In the end, he thought, she’d find it comforting.
A replica of earth
except there was love here.
Doesn’t everyone want love?
He waited many years,
building a world, watching
Persephone in the meadow.
Persephone, a smeller, a taster.
If you have one appetite, he thought,
you have them all.
Doesn’t everyone want to feel in the night
the beloved body, compass, polestar,
to hear the quiet breathing that says
I am alive, that means also
you are alive, because you hear me,
you are here with me. And when one turns,
the other turns—
That’s what he felt, the lord of darkness,
looking at the world he had
constructed for Persephone. It never crossed his mind
that there’d be no more smelling here,
certainly no more eating.
Guilt? Terror? The fear of love?
These things he couldn’t imagine;
no lover ever imagines them.
He dreams, he wonders what to call this place.
First he thinks: The New Hell. Then: The Garden.
In the end, he decides to name it
Persephone’s Girlhood.
A soft light rising above the level meadow,
behind the bed. He takes her in his arms.
He wants to say I love you, nothing can hurt you
but he thinks
this is a lie, so he says in the end
you’re dead, nothing can hurt you
which seems to him
a more promising beginning, more true.”
―
he built for her a duplicate of earth,
everything the same, down to the meadow,
but with a bed added.
Everything the same, including sunlight,
because it would be hard on a young girl
to go so quickly from bright light to utter darkness
Gradually, he thought, he’d introduce the night,
first as the shadows of fluttering leaves.
Then moon, then stars. Then no moon, no stars.
Let Persephone get used to it slowly.
In the end, he thought, she’d find it comforting.
A replica of earth
except there was love here.
Doesn’t everyone want love?
He waited many years,
building a world, watching
Persephone in the meadow.
Persephone, a smeller, a taster.
If you have one appetite, he thought,
you have them all.
Doesn’t everyone want to feel in the night
the beloved body, compass, polestar,
to hear the quiet breathing that says
I am alive, that means also
you are alive, because you hear me,
you are here with me. And when one turns,
the other turns—
That’s what he felt, the lord of darkness,
looking at the world he had
constructed for Persephone. It never crossed his mind
that there’d be no more smelling here,
certainly no more eating.
Guilt? Terror? The fear of love?
These things he couldn’t imagine;
no lover ever imagines them.
He dreams, he wonders what to call this place.
First he thinks: The New Hell. Then: The Garden.
In the end, he decides to name it
Persephone’s Girlhood.
A soft light rising above the level meadow,
behind the bed. He takes her in his arms.
He wants to say I love you, nothing can hurt you
but he thinks
this is a lie, so he says in the end
you’re dead, nothing can hurt you
which seems to him
a more promising beginning, more true.”
―
Giselle’s 2024 Year in Books
Take a look at Giselle’s Year in Books, including some fun facts about their reading.
196 books
|
185 friends
3,436 books
|
1,560 friends
3,409 books
|
449 friends
1,257 books
|
85 friends
1,926 books
|
2,954 friends
2,502 books
|
58 friends
2,867 books
|
336 friends
1,198 books
|
987 friends
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