Carina

“I thought about the fact that there seemed to be such a high cost to anything a woman chose to do with her life, unless she simply aimed low. But I knew that already, didn’t I? I had come here and it had cost me dear.”
― Jojo Moyes, Still Me

“Do you know how many grand romances would have avoided tragedy if the hero had thought, "You know, maybe I should ask her if she likes me first"?”
― Brandon Sanderson, Tress of the Emerald Sea

“The people are the energy of a carnival. Excitement bleeds. It flows like rivers. Ask any carnie, and they’ll agree that there is a frantic current to a carnival. Yes, it’s completely fabricated. So is the electricity that powers a light bulb. Being artificial doesn’t mean it isn’t real—it only means it has a purpose. It’s this power of excitement that carnivals tap, feed upon, exploit. And for all that people call carnivals a scam or a con, they’re nothing of the sort. We go to them to be exploited. That’s part of the charm. While you’re there—among the dizzying overload of lights, chatter, excitement, sticky ground, and thronging people—you feel that there must be more than enough energy to go around. Human exhilaration is a renewable resource. And you can generate it with cheap stuffed animals and fried foods.”
― Brandon Sanderson, Yumi and the Nightmare Painter

“Beyond that, memories have a way of changing on us. Souring or sweetening over time—like a brew we drink, then recreate later by taste, only getting the ingredients mostly right. You can’t taste a memory without tainting it with who you have become.”
― Brandon Sanderson, Tress of the Emerald Sea