Larry Orr

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OUR TIME ON ROUTE 66
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The Dark Forest
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Don't Panic: The ...
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Jeanette Winterson
“Many waters cannot quench love, neither can floods drown it. What then kills love? Only this: Neglect. Not to see you when you stand before me. Not to think of you in the little things. Not to make the road wide for you, the table spread for you. To choose you out of habit not desire, to pass the flower seller without a thought. To leave the dishes unwashed, the bed unmade, to ignore you in the mornings, make use of you at night. To crave another while pecking your cheek. To say your name without hearing it, to assume it is mine to call.”
Jeanette Winterson, Written on the Body
tags: love

Neil deGrasse Tyson
“Science’s skeptical core makes it a poor competitor for human hearts and minds, which recoil from its ongoing controversies and prefer the security of seemingly eternal truths. If the scientific approach were just one more interpretation of the cosmos, it would never have amounted to much; but science’s big-time success rests on the fact that it works. If you board an aircraft built according to science – with principles that have survived numerous attempts to prove them wrong – you have a far better chance of reaching your destination than you do in an aircraft constructed by the rules of Vedic astrology.”
Neil deGrasse Tyson, Origins: Fourteen Billion Years of Cosmic Evolution

“It was a two-gallon Styrofoam cooler - one of the cheap ones that you can pick up at any service station in the summer season and then listen to it squeak to the point of homicidal dementia.”
Craig Johnson

Neal Stephenson
“A red dragonfly hovers above a backwater of the stream, its wings moving so fast that the eye sees not wings in movement but a probability distribution of where the wings might be, like electron orbitals: a quantum-mechanical effect that maybe explains why the insect can apparently teleport from one place to another, disappearing from one point and reappearing a couple of meters away, without seeming to pass through the space in between. There sure is a lot of bright stuff in the jungle. Randy figures that, in the natural world, anything that is colored so brightly must be some kind of serious evolutionary badass.”
Neal Stephenson, Cryptonomicon

David   Byrne
“I had grown up on Folkway's Nonesuch field recordings and the stuff Lomax had done for the Library of Congress, but the production values on the Ocora releases were on a whole other level. Eno and I realized that music from elsewhere didn't need to sound distant, scratchy, or 'primitive.' These recordings were as well produced as any contemporary recordings in any genre. You were made to feel, for example, that this music wasn't a ghostly remnant form some lost culture, soon to be relegated to the almost forgotten past. It was vital, and it was happening right now. To us there was strange beauty there, deep passion, and the compositions often operated by rules and structures that were radically different from what we were used to. As a result, our limited ideas of what constituted music were exploded forever. These recordings opened up myriad ways that music could be made and organized. There were many musical universes out there, and we had been blinkered by confining ourselves to only one.”
David Byrne, How Music Works

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