“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
― The Bell Jar
― The Bell Jar
“The Mockingbird
All summer
the mockingbird
in his pearl-gray coat
and his white-windowed wings
flies
from the hedge to the top of the pine
and begins to sing, but it’s neither
lilting nor lovely,
for he is the thief of other sounds—
whistles and truck brakes and dry hinges
plus all the songs
of other birds in his neighborhood;
mimicking and elaborating,
he sings with humor and bravado,
so I have to wait a long time
for the softer voice of his own life
to come through. He begins
by giving up all his usual flutter
and settling down on the pine’s forelock
then looking around
as though to make sure he’s alone;
then he slaps each wing against his breast,
where his heart is,
and, copying nothing, begins
easing into it
as though it was not half so easy
as rollicking,
as though his subject now
was his true self,
which of course was as dark and secret
as anyone else’s,
and it was too hard—
perhaps you understand—
to speak or to sing it
to anything or anyone
but the sky.”
― A Thousand Mornings: Poems
All summer
the mockingbird
in his pearl-gray coat
and his white-windowed wings
flies
from the hedge to the top of the pine
and begins to sing, but it’s neither
lilting nor lovely,
for he is the thief of other sounds—
whistles and truck brakes and dry hinges
plus all the songs
of other birds in his neighborhood;
mimicking and elaborating,
he sings with humor and bravado,
so I have to wait a long time
for the softer voice of his own life
to come through. He begins
by giving up all his usual flutter
and settling down on the pine’s forelock
then looking around
as though to make sure he’s alone;
then he slaps each wing against his breast,
where his heart is,
and, copying nothing, begins
easing into it
as though it was not half so easy
as rollicking,
as though his subject now
was his true self,
which of course was as dark and secret
as anyone else’s,
and it was too hard—
perhaps you understand—
to speak or to sing it
to anything or anyone
but the sky.”
― A Thousand Mornings: Poems
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