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The Unabridged Jo...
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Apr 25, 2014 10:13AM

 
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Carol Rifka Brunt
“The kinds of things I want don't cost money.”
Carol Rifka Brunt, Tell the Wolves I'm Home

Carol Rifka Brunt
“I came to a sketch where the space between my arm and Greta’s arm, the shape of the place between us, had been darkened in. The negative space. That’s what Finn called it. He was always trying to get me to understand negative space. And I did. I could understand what he was saying, but it didn’t come naturally to me. I had to be reminded to look for it. To see the stuff that’s there but not there. In this sketch, Finn had colored in the negative space, and I saw that it made a shape that looked like a dog’s head. Or, no—of course, it was a wolf’s head, tilted up, mouth open and howling. It wasn’t obvious or anything. Negative space was kind of like constellations. The kind of thing that had to be brought to your attention. But the way Finn did it was so skillful. It was all in the way Greta’s sleeve draped and the way my shoulder angled in. So perfect. It was almost painful to look at that negative space, because it was so smart. So exactly the kind of thing Finn would think of. I touched my finger to the rough pencil lines, and I wished I could let Finn know that I saw what he’d done. That I knew he’d put that secret animal right between Greta and me.”
Carol Rifka Brunt, Tell the Wolves I'm Home

Carol Rifka Brunt
“…there’s just something beautiful about walking on snow that nobody else has walked on. It makes you believe you’re special, even though you know you’re not.”
Carol Rifka Brunt, Tell the Wolves I'm Home

Carol Rifka Brunt
“Toby was right. Finn was my first love. But Toby, he was my second. And the sadness in that stretched like a thin cold river down the length of my whole life.”
Carol Rifka Brunt, Tell the Wolves I'm Home

Carol Rifka Brunt
“When I go to the woods now, I always head out along the brook and go straight to the big maple. I run there, like Toby must have done on that stormy night, then I bend down and crawl on the earth. Because what if there’s a clue? What if there’s a piece of chunky strawberry bubble gum still bundled up in its waxy wrapper, or a weather-faded matchbook, or a fallen button from somebody’s big gray coat? What if buried under all those leaves is me? Not this me, but the girl in a Gunne Sax dress with the back zipper open. The girl with the best boots in the world. What if she’s under there? What if she’s crying? Because she will be, if I find her. Her tears tell the story of what she knows. That the past, present, and future are just one thing. That there’s nowhere to go from here. Home is home is home.”
Carol Rifka Brunt, Tell the Wolves I'm Home

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