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Lolita
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Alison Espach
“Lila admits she does not do the best job of keeping in touch with her friends when they are no longer right in front of her face. She has no idea what’s going on in their lives, really. She knows that Viv is somewhat responsible for repopulating the Atlanta Zoo with the giant panda. She knows that Nat is married to the third violin in the Detroit Symphony. And she knows that Suz has a baby, and she thinks it’s weird how she calls the baby a little worm, but also maybe it’s cute. The point is—Lila doesn’t know. She wishes she could ask, but they don’t ask each other real things like that anymore.”
Alison Espach

Alison Espach
“And that had been Phoebe’s story, too—she had been so good. So quiet. So studious. Valedictorian of her high school, then college, and then went off to graduate school to make a life for herself, which she did. She fell in love, got a PhD, got married. Bought a house with her husband. And then, after five grueling cycles of IVF, when all seemed lost, she finally got pregnant using their last embryo. For ten weeks, she rubbed lotion on her belly, and she could feel it, how she was hurtling toward the happy ending that would make everything, even her mother’s death, seem like a necessary part of the story.

But then it was over, in under a sentence. One day she had been pregnant, and then the next day, she was not. She had felt the blood between her legs, and every time she remembered the blood, she thought, No, no, no, this can’t be how it ends. Because this ending made a mockery of her mother’s death. This ending was just tragic. More like a Russian novel, where all the characters go on a great wild adventure just to be killed off in the end.”
Alison Espach

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