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“Girls you've gotta know when it's time to turn the page.”
― Tori Amos: From the Choirgirl Hotel
― Tori Amos: From the Choirgirl Hotel
“You can spend minutes, hours, days, weeks, or even months over-analyzing a situation; trying to put the pieces together, justifying what could've, would've happened... or you can just leave the pieces on the floor and move the fuck on.”
―
―
“...heroine: the artist, the premier mistress writhering in a garden graced w/highly polished blades of grass... release (ethiopium) is the drug...an animal howl says it all...notes pour into the caste of freedom...the freedom to be intense...to defy social order and break the slow kill monotony of censorship. to break from the long bonds of servitude-ruthless adoration of the celestial shepherd. let us celebrate our own flesh-to embrace not ones race mais the marathon-to never let go of the fiery sadness called desire.”
―
―
“and half of learning to play is learning what not to play
and she's learning the spaces she leaves have their own things to say
and she's trying to sing just enough so that the air around her moves
and make music like mercy that gives what it is and has nothing to prove
she crawls out on a limb and begins to build her home
and it's enough just to look around and to know that she's not alone
up up up up up up up points the spire of the steeple
but god's work isn't done by god
it's done by people”
―
and she's learning the spaces she leaves have their own things to say
and she's trying to sing just enough so that the air around her moves
and make music like mercy that gives what it is and has nothing to prove
she crawls out on a limb and begins to build her home
and it's enough just to look around and to know that she's not alone
up up up up up up up points the spire of the steeple
but god's work isn't done by god
it's done by people”
―
“Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. ”
― Middlesex
― Middlesex
Flavia’s 2025 Year in Books
Take a look at Flavia’s Year in Books, including some fun facts about their reading.
452 books
|
37 friends
631 books
|
78 friends
332 books
|
18 friends
79 books
|
24 friends
0 books
|
205 friends
8 books
|
53 friends
10 books
|
302 friends
5 books
|
11 friends
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