John Gossman

“His resolve had flowed away like sand on the outgoing tide. He sat on the running board of the Pobeda, slumped against the door, and stared out over the gray ponds and blowing reeds. He had somehow come to the end of his journey, the future he’d held out to himself no more than a trick of the illusionist, the self-deluded survivor. Against the vast background of the deserted land he saw his insignificance only too clearly—a vain, petty man, envious and scheming, an opportunist, a fraud. Why should such a man remain alive? Get in the car, he told himself. But the willful interior voice sickened him—all it knew was greed, all it did was want. Even here, at the end of the world, it sang its little song, and any gesture, no matter how absurd, would satisfy it. But the only act he could imagine called for removing the Steyr from beneath the driver’s seat of the automobile and relieving the earth of an unneeded presence—at least an act of grace.”
― Alan Furst, Dark Star

“If he believed it all, he was just like those theologians who store their theology somewhere in a locked compartment of the brain, or rather, perhaps, like those travellers who carry a bottle of iodine in their luggage and take care to keep it tightly corked in case it leaks and ruins their belongings.”
― Halldór Laxness, The Fish Can Sing

“We never get accustomed to being less important to other people than they are to us.”
― Graham Greene, The Third Man

“You know what the fellow said – in Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace – and what did that produce? The cuckoo clock.”
― Graham Greene, The Third Man