Cassandra

“Nobody reads poetry, we are told at every inopportune moment. I read poetry. I am somebody. I am the people, too. It can be allowed that an industrious quantity of contemporary American poetry is consciously written for a hermetic constituency; the bulk is written for the bourgeoisie, leaving a lean cut for labor. Only the hermetically aimed has a snowball's chance in hell of reaching its intended ears. One proceeds from this realization. A staggering figure of vibrant, intelligent people can and do live without poetry, especially without the poetry of their time. This figure includes the unemployed, the rank and file, the union brass, banker, scientist, lawyer, doctor, architect, pilot, and priest. It also includes most academics, most of the faculty of the humanities, most allegedly literary editors and most allegedly literary critics. They do so--go forward in their lives, toward their great reward, in an engulfing absence of poetry--without being perceived or perceiving themselves as hobbled or deficient in any significant way. It is nearly true, though I am often reminded of a Transtromer broadside I saw in a crummy office building in San Francisco:



We got dressed and showed the house

You live well the visitor said

The slum must be inside you.



If I wanted to understand a culture, my own for instance, and if I thought such an understanding were the basis for a lifelong inquiry, I would turn to poetry first. For it is my confirmed bias that the poets remain the most 'stunned by existence,' the most determined to redeem the world in words..”
― C.D. Wright, Cooling Time: An American Poetry Vigil

“Clouds out of control decoct anticipation. What use can any of us have for two moons? The miracle of order has run out and I am left in an unmiraculous city where anything may happen.”
― Samuel R. Delany, Dhalgren

“I have scars on my hands from touching certain people…Certain heads, certain colours and textures of human hair leave permanent marks on me.”
― J.D. Salinger, Raise High the Roof Beam, Carpenters & Seymour: An Introduction

“I'm a kind of paranoiac in reverse. I suspect people of plotting to make me happy.”
― J.D. Salinger, Raise High the Roof Beam, Carpenters & Seymour: An Introduction