41 books
—
30 voters
Aaron Schmid
https://www.goodreads.com/theschmidy
progress:
(page 360 of 762)
"Mann, Walpurgisnacht must've had some influence on Pynchon and Bulgakov. The profane and pagan ideas of love mixing with, or stemming from, or contributing to disease, and the baseness of the body and its carnality - it's all so fraught with a sort of pedantic youthfulness and empassioned naivete. Oh to be young and wealthy and unencumbered and dumb... So dumb. Castorp, for all his bourgeoisie intellect, is lost." — 11 hours, 51 min ago
"Mann, Walpurgisnacht must've had some influence on Pynchon and Bulgakov. The profane and pagan ideas of love mixing with, or stemming from, or contributing to disease, and the baseness of the body and its carnality - it's all so fraught with a sort of pedantic youthfulness and empassioned naivete. Oh to be young and wealthy and unencumbered and dumb... So dumb. Castorp, for all his bourgeoisie intellect, is lost." — 11 hours, 51 min ago
Aaron Schmid
is currently reading
Reading for the 2nd time
progress:
(page 123 of 322)
"I might not finish this book for a couple years. The stories are pretty similar but also fairly insular, and remarkably memorable. It's been years now, I believe, since I started this book and the stories are still deeply unsettling. I don't have a lot of thirst for this stuff, but it certainly sets the spooky vibe for October. Some stories are better than others, for sure. Each one is good, albeit a bit disturbing." — Oct 14, 2025 01:49AM
"I might not finish this book for a couple years. The stories are pretty similar but also fairly insular, and remarkably memorable. It's been years now, I believe, since I started this book and the stories are still deeply unsettling. I don't have a lot of thirst for this stuff, but it certainly sets the spooky vibe for October. Some stories are better than others, for sure. Each one is good, albeit a bit disturbing." — Oct 14, 2025 01:49AM
Professor Tolkien didn’t want children to grow up into the sort of people who read stories looking for preaching. Instead he wanted children, as well as adults, to be taken up into stories, to experience the wonder, the mystery, and even
...more
“And as much as I’d like to believe there’s a truth beyond illusion, I’ve come to believe that there’s no truth beyond illusion. Because, between ‘reality’ on the one hand, and the point where the mind strikes reality, there’s a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blur to provide what life does not: and this is the space where all art exists, and all magic.And—I would argue as well—all love. Or, perhaps more accurately, this middle zone illustrates the fundamental discrepancy of love. Viewed close: a freckled hand against a black coat, an origami frog tipped over on its side. Step away, and the illusion snaps in again: life-more-than-life, never-dying”
― The Goldfinch
― The Goldfinch
“Chastity and moral purity were qualities McCandless mulled over long and often. Indeed, one of the books found in the bus with his remains was a collection of stories that included Tol¬stoy’s “The Kreutzer Sonata,” in which the nobleman-turned-ascetic denounces “the demands of the flesh.” Several such passages are starred and highlighted in the dog-eared text, the margins filled with cryptic notes printed in McCandless’s distinc¬tive hand. And in the chapter on “Higher Laws” in Thoreau’s Walden, a copy of which was also discovered in the bus, McCand¬less circled “Chastity is the flowering of man; and what are called Genius, Heroism, Holiness, and the like, are but various fruits which succeed it.”
We Americans are titillated by sex, obsessed by it, horrified by it. When an apparently healthy person, especially a healthy young man, elects to forgo the enticements of the flesh, it shocks us, and we leer. Suspicions are aroused.
McCandless’s apparent sexual innocence, however, is a corol¬lary of a personality type that our culture purports to admire, at least in the case of its more famous adherents. His ambivalence toward sex echoes that of celebrated others who embraced wilderness with single-minded passion—Thoreau (who was a lifelong virgin) and the naturalist John Muir, most prominently— to say nothing of countless lesser-known pilgrims, seekers, mis¬fits, and adventurers. Like not a few of those seduced by the wild, McCandless seems to have been driven by a variety of lust that supplanted sexual desire. His yearning, in a sense, was too pow¬erful to be quenched by human contact. McCandless may have been tempted by the succor offered by women, but it paled beside the prospect of rough congress with nature, with the cosmos it¬self. And thus was he drawn north, to Alaska.”
― Into the Wild
We Americans are titillated by sex, obsessed by it, horrified by it. When an apparently healthy person, especially a healthy young man, elects to forgo the enticements of the flesh, it shocks us, and we leer. Suspicions are aroused.
McCandless’s apparent sexual innocence, however, is a corol¬lary of a personality type that our culture purports to admire, at least in the case of its more famous adherents. His ambivalence toward sex echoes that of celebrated others who embraced wilderness with single-minded passion—Thoreau (who was a lifelong virgin) and the naturalist John Muir, most prominently— to say nothing of countless lesser-known pilgrims, seekers, mis¬fits, and adventurers. Like not a few of those seduced by the wild, McCandless seems to have been driven by a variety of lust that supplanted sexual desire. His yearning, in a sense, was too pow¬erful to be quenched by human contact. McCandless may have been tempted by the succor offered by women, but it paled beside the prospect of rough congress with nature, with the cosmos it¬self. And thus was he drawn north, to Alaska.”
― Into the Wild
“One farmer says to me, 'You cannot live on vegetable food solely, for it furnishes nothing to make bones with;' and so he religiously devotes a part of his day to supplying his system with the raw material of bones; walking all the while he talks behind his oxen, which, with vegetable-made bones, jerk him and his lumbering plow along in spite of every obstacle.”
― Walden or, Life in the Woods
― Walden or, Life in the Woods
“I felt after I finished Slaughterhouse-Five that I didn’t have to write at all anymore if I didn’t want to. It was the end of some sort of career. I don’t know why, exactly. I suppose that flowers, when they’re through blooming, have some sort of awareness of some purpose having been served. Flowers didn’t ask to be flowers and I didn’t ask to be me. At the end of Slaughterhouse-Five…I had a shutting-off feeling…that I had done what I was supposed to do and everything was OK .”
― Conversations with Kurt Vonnegut
― Conversations with Kurt Vonnegut
For Everyone; And Sometimes Together*
— 27 members
— last activity Nov 03, 2017 12:19PM
*Books are opportunities for entertainment and growth. But like any "opportunity," they require seizing. Participation is key, but what that looks lik ...more
Goodreads Librarians Group
— 300882 members
— last activity 6 minutes ago
Goodreads Librarians are volunteers who help ensure the accuracy of information about books and authors in the Goodreads' catalog. The Goodreads Libra ...more
Media Death Cult
— 544 members
— last activity Sep 05, 2024 02:58PM
Welcome to the Goodreads group for Media Death Cult, the greatest science fiction community in the world. Keep track of past, present, and future Medi ...more
Aaron’s 2024 Year in Books
Take a look at Aaron’s Year in Books, including some fun facts about their reading.
More friends…
Favorite Genres
Polls voted on by Aaron
Lists liked by Aaron

































