Angelasdawn

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New Life Stories
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The Living Planet
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"Let's go boys I found more Attenborough to listen to!" Feb 24, 2026 06:58PM

 
Your Inner Fish: ...
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Feb 16, 2026 03:49PM

 
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Neil Gaiman
“They were having an argument as old and comfortable as an armchair, the kind of argument that no one ever really wins or loses but which can go on forever, if both parties are willing.”
Neil Gaiman, Coraline

Claudia Rankine
“Sad is one of those words that has given up its life for our country, it's been a martyr for the American dream, it's been neutralized, co-opted by our culture to suggest a tinge of discomfort that lasts the time it takes for this and then for that to happen, the time it takes to change a channel. But sadness is real because once it meant something real. It meant dignified, grave; it meant trustworthy; it meant exceptionally bad, deplorable, shameful; it meant massive, weighty, forming a compact body; it meant falling heavily; and it meant of a color: dark. It meant dark in color, to darken. It meant me. I felt sad.”
Claudia Rankine, Don’t Let Me Be Lonely: An American Lyric

Wendy Heard
“Why are you apologizing when you didn’t do anything wrong? That’s something we teach girls to do—always apologize, never be a burden. You have a right to take up space.”
Wendy Heard, She's Too Pretty to Burn

Samuel Taylor Coleridge
“Prose: words in their best order; poetry: the best words in the best order.”
Samuel Taylor Coleridge

Claudia Rankine
“In my dream I apologize to everyone I meet. Instead of introducing myself, I apologize for not knowing why I am alive. I am sorry. I am sorry. I apologize. In real life, oddly enough, when I am fully awake and out and about, if I catch someone’s eye, I quickly look away. Perhaps this too is a form of apology. Perhaps this is the form apologies take in real life. In real life the looking away is the apology, despite the fact that when I look away I almost always feel guilty; I do not feel as if I have apologized. Instead I feel as if I have created a reason to apologize, I feel the guilt of having ignored that thing—the encounter. I could have nodded, I could have smiled without showing my teeth. In some small way I could have wordlessly said, I see you seeing me and I apologize for not knowing why I am alive. I am sorry. I am sorry. I apologize. Afterwards, after I have looked away, I never feel as if I can say, Look, look at me again so that I can see you, so that I can acknowledge that I have seen you, so that I can see you and apologize.”
Claudia Rankine, Don’t Let Me Be Lonely: An American Lyric

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