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“And what truly lies before you is vampire nature, which is killing. For I guarantee you that if you walk the streets tonight and strike down a woman as rich and beautiful as Babette and suck her blood until she drops at your feet you will have no hunger left for Babette's profile in the candlelight or for listening by the window for the sound of her voice. You will be filled, Louis, as you were meant to be, with all the life that you can hold; and you will have hunger when that's gone for the same, and the same, and the same. The red in this glass will be just as red; the roses on the wallpaper just as delicately drawn. And you'll see the moon the same way, and the same the flicker of a candle. And with that same sensibility that you cherish you will see death in all its beauty, life as it is only known on the very point of death. Don't you understand that, Louis? You alone of all creatures can see death that way with impunity. You...alone...under the rising moon...can strike like the hand of God!”
― Interview with the Vampire
― Interview with the Vampire
“Dear God, this is love. This is desire. And all my past amours have been but the shadow of this. And it seemed in a murmuring pulse of thought he gave me to know that I had been very foolish to think it would not be so. Who can love us, you and I, as we can love each other, he whispered and it seemed his lips actually moved.”
― The Vampire Lestat
― The Vampire Lestat
“Freud described three great historical wounds to the primary narcissism of the self-centered human subject, who tries to hold panic at bay by the fantasy of human exceptionalism.
First is the Copernican wound that removed Earth itself, man’s home world, from the center of the cosmos and indeed paved the way for that cosmos to burst open into a universe of inhumane, nonteleological times and spaces. Science made that decentering cut.
The second wound is the Darwinian, which put Homo sapiens firmly in the world of other critters, all trying to make an earthly living and so evolving in relation to one another without the sureties of directional signposts that culminate in Man. Science inflicted that cruel cut too.
The third wound is the Freudian, which posited an unconscious that undid the primacy of conscious processes, including the reason that comforted Man with his unique excellence, with dire consequences for teleology once again. Science seems to hold that blade too.
I want to add a fourth wound, the informatic or cyborgian, which infolds organic and technological flesh and so melds that Great Divide as well.”
― When Species Meet
First is the Copernican wound that removed Earth itself, man’s home world, from the center of the cosmos and indeed paved the way for that cosmos to burst open into a universe of inhumane, nonteleological times and spaces. Science made that decentering cut.
The second wound is the Darwinian, which put Homo sapiens firmly in the world of other critters, all trying to make an earthly living and so evolving in relation to one another without the sureties of directional signposts that culminate in Man. Science inflicted that cruel cut too.
The third wound is the Freudian, which posited an unconscious that undid the primacy of conscious processes, including the reason that comforted Man with his unique excellence, with dire consequences for teleology once again. Science seems to hold that blade too.
I want to add a fourth wound, the informatic or cyborgian, which infolds organic and technological flesh and so melds that Great Divide as well.”
― When Species Meet
“I think a good film is one that has a lasting power, and you start to reconstruct it right after you leave the theater. There are a lot of films that seem to be boring, but they are decent films. On the other hand, there are films that nail you to your seat and overwhelm you to the point that you forget everything, but you feel cheated later. These are the films that take you hostage.
I absolutely don’t like the films in which the filmmakers take their viewers hostage and provoke them. I prefer the films that put their audience to sleep in the theater. I think those films are kind enough to allow you a nice nap and not leave you disturbed when you leave the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake me up thinking about them in the morning, and keep on thinking about them for weeks. Those are the kinds of films I like.”
―
I absolutely don’t like the films in which the filmmakers take their viewers hostage and provoke them. I prefer the films that put their audience to sleep in the theater. I think those films are kind enough to allow you a nice nap and not leave you disturbed when you leave the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake me up thinking about them in the morning, and keep on thinking about them for weeks. Those are the kinds of films I like.”
―
Middle East/North African Lit
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A group for lesbian, gay, bisexual and transgender individuals and supporters interested in fun and stimulating conversation about books, movies, art, ...more
Literary Fiction by People of Color
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This can include genre fiction that is literary (e.g. speculative fiction, historical fiction, etc.), as long as it's written by a person of color (Af ...more
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