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Sep 27, 2025 03:12AM

 
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Democritus
“World is decay, life is perception.”
Democritus

Donna J. Haraway
“Freud described three great historical wounds to the primary narcissism of the self-centered human subject, who tries to hold panic at bay by the fantasy of human exceptionalism.

First is the Copernican wound that removed Earth itself, man’s home world, from the center of the cosmos and indeed paved the way for that cosmos to burst open into a universe of inhumane, nonteleological times and spaces. Science made that decentering cut.

The second wound is the Darwinian, which put Homo sapiens firmly in the world of other critters, all trying to make an earthly living and so evolving in relation to one another without the sureties of directional signposts that culminate in Man. Science inflicted that cruel cut too.

The third wound is the Freudian, which posited an unconscious that undid the primacy of conscious processes, including the reason that comforted Man with his unique excellence, with dire consequences for teleology once again. Science seems to hold that blade too.

I want to add a fourth wound, the informatic or cyborgian, which infolds organic and technological flesh and so melds that Great Divide as well.”
Donna J. Haraway, When Species Meet

Ursula K. Le Guin
“I come with empty hands and the desire to unbuild walls.”
Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

E.M. Forster
“I am an unspeakable of the Oscar Wilde sort.”
E.M. Forster, Maurice

Gilles Deleuze
“The link between man and the world is broken. Henceforth, this link must become an object of belief: it is the impossible which can only be restored within a faith. Belief is no longer addressed to a different or transformed world. Man is in the world as if in a pure optical and sound situation. The reaction of which man has been dispossessed can be replaced only by belief. Only belief in the world can reconnect man to what he sees and hears. The cinema must film, not the world, but belief in this world, our only link.”
Gilles Deleuze, The Time-Image

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