David Odom

“Humans are a terrestrial species biased toward attributing the forces we see around us to familiar forces on land. But the more we look, the more we learn that everything arises from the sea and everything falls away to the sea, and the deep blue home is home to every one of us, whether we are beings of water, air, rock, ice, or soil.”
― Julia Whitty, Deep Blue Home: An Intimate Ecology of Our Wild Ocean

“This beach I voyage on leads me through the earth's immortal consistencies. Each form I encounter obeys the principles of perfection and trial, a timelessness in the making. The proportions of truth are at hand. Existence is celebrated in a splinter of driftwood, worn by wind-driven sand into the shape of an arrow. The onshore waves jostle each other, busy with their eternal changing, mixing crab shells, sand grains, and fish bones together. The trim little shorebirds feeding at the water's edge are acutely aware of one another, under the light and shadow leaning and drifting over all awareness. Wither own mysteries behind their beady eyes, their quick, advantageous movements, they follow the great, unifying sea." ~ John Hay. Bird of Light.”
― John Hay, The Bird of Light

“That is the normal succession of things in this part of the world; you can see the various stages all over Scratch Flat. There is, for example, a small red maple swamp above my house on the northwest side of the drumlin. The swamp was probably a pond sixty years ago, but now in summer, unless you know your trees, you cannot distinguish it from the surrounding woodlands. It is only in spring, when the groundwater levels are high, that the remnant of the ice sheet makes itself apparent. Then the waters rise around the trunks of the red maple trees and, after reaching a critical level, run down across the small meadow to the north of my house.”
― John Hanson Mitchell, Ceremonial Time: Fifteen Thousand Years on One Square Mile

“A native landscape enters a child’s mind through a meld of sensations: the smell of seaweed or hay, the sound of cicadas, the cold grit of stone. It is all heart and magic, confusion rather than order, but the feeling it evokes is wholly satisfying and lasting. Gaining this kind of deep familiarity with a landscape other than your native one is like learning to speak a foreign language. You can’t hope for quick or easy fluency. You work from the outside in, by accumulating a vocabulary of observed details. You learn where things happen in the rhythmic revolutions of the days and the year, which shrubs harbor families of grackles, which stands of beach plum send out sprays of August bloom, where the hog-nose snake waits for its toad, and the toad for its fly. Slowly the strange becomes familiar; the familiar becomes precious.”
― Jennifer Ackerman, Birds by the Shore: Observing the Natural Life of the Atlantic Coast