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A Storm of Swords
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Incubus Dreams
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by Laurell K. Hamilton (Goodreads Author)
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Tom Robbins
“If New Orleans is not fully in the mainstream of culture, neither is it fully in the mainstream of time. Lacking a well-defined present, it lives somewhere between its past and its future, as if uncertain whether to advance or to retreat. Perhaps it is its perpetual ambivalence that is its secret charm. Somewhere between Preservation Hall and the Superdome, between voodoo and cybernetics, New Orleans listens eagerly to the seductive promises of the future but keeps at least one foot firmly planted in its history, and in the end, conforms, like an artist, not to the world but to its own inner being--ever mindful of its personal style.”
Tom Robbins, Jitterbug Perfume

Michael Ondaatje
“There was no control except the "mood of his power... and it is for this reason it is good you never heard him play someplace where the weather for instance could change the next series of notes-- then you should never have heard him at all. He was never recorded. He stayed away while others moved into wax history, electronic history, those who said later that Boldon broke the path. It was just as important to watch him stretch and wheel around the last notes or to watch nerves jumping under the sweat of his head.”
Michael Ondaatje, Coming Through Slaughter

“People don't live in New Orleans because it is easy. They live here because they are incapable of living anywhere else in the just same way.”
Ian McNulty, A Season of Night: New Orleans Life After Katrina

Sarah Rae
“She didn’t even know what she’d do when she got back to New Orleans, but inside she felt a yearning to shove her hands in the dirt, to cling to the ground there, forever.”
Sarah Rae

Tom Robbins
“Louisiana in September was like an obscene phone call from nature. The air--moist, sultry, secretive, and far from fresh--felt as if it were being exhaled into one's face. Sometimes it even sounded like heavy breathing. Honeysuckle, swamp flowers, magnolia, and the mystery smell of the river scented the atmosphere, amplifying the intrusion of organic sleaze. It was aphrodisiac and repressive, soft and violent at the same time. In New Orleans, in the French Quarter, miles from the barking lungs of alligators, the air maintained this quality of breath, although here it acquired a tinge of metallic halitosis, due to fumes expelled by tourist buses, trucks delivering Dixie beer, and, on Decatur Street, a mass-transit motor coach named Desire.”
Tom Robbins, Jitterbug Perfume

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