Diana

“There is a great deal in choosing colours that go well with one's complexion. People think of that for their dresses, but not for their rooms., which are of so much more importance. I should have liked blue, but blue gets so soon tawdry. I think, (...) that I have enough complexion at present to venture upon a pale spring green.”
― Mrs. Oliphant, Miss Marjoribanks

“Sure never two people were more strongly contrasted than the Baron and the Colonel. The one seems the kindly sun, cherishing the tender herbage of the field; the other, the blasting mildew, breathing its pestiferous venom over every beautiful plant and flower. However, do you, my love, only regard them as virtue and vice personified; look on them as patterns and examples; view them in no other light; for in no other can they be of any advantage to you.”
― Georgiana Cavendish, The Sylph: Volume I and II

“The silence was more profound than that of midnight: and to me the silence of a summer morning is more touching than all other silence, because, the light being broad and strong, as that of noon-day at other seasons of the year, it seems to differ from perfect day, chiefly because man is not yet abroad: and thus, the peace of nature, and of the innocent creatures of God, seems to be secure and deep, only so long as the presence of man, and his restless and unquiet spirit, are not there to trouble its sanctity.”
― Thomas de Quincey, Confessions of an English Opium Eater

“They had met one another, at first not very often, throughout the heady autumn of the first London air raids. Never had a season been more felt; one bought the poetic sense of it with the sense of death. Out of mists of morning charred by the smoke from ruins each day rose to a height of unmisty glitter; between the last of sunset and first note of the siren the darkening glassy tenseness of evening was drawn fine. From the moment of waking you tasted the sweet autumn not less because of an acridity on the tongue and nostrils; and as the singed dust settled and smoke diluted you felt more and more called upon to observe daytime as a pure and curious holiday from fear. All through London the ropings-off of dangerous tracts of streets made islands of exalted if stricken silence, and people crowded against the ropes to admire the sunny emptiness on the other side. The diversion of traffic out of blocked main thoroughfares into byways, the unstopping phatasmagoric streaming of lorries, buses, vans, drays, taxis past modest windows and quiet doorways set up an overpowering sense of London’s organic power – somewhere there was a source from which heavy motion boiled, surged and, not to be damned up, force itself into new channels.”
― Elizabeth Bowen, The Heat of the Day