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In the overhyping of risk, we have nurtured dystopia. And in dystopias, the currency of violence, be it individual or institutional, acquires a perverse prestige. “Fear,” wrote Corey Robin, in Fear: The History of a Political Idea, “ensures
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“Once when I visited Buddy I found Mrs. Willard braiding a rug out of strips of wool from Mr. Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs. Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the five and ten. And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard’s kitchen mat.”
― The Bell Jar
― The Bell Jar
“The phrase comes from that treasury of literary titles, Ecclesiastes, 7:4: “The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth.”
― The House of Mirth
― The House of Mirth
“We brought up issues that concerned us as young feminists and womanists. Was Janie Crawford a good female role model or was she solely defined by the men in her life? Many of us argued that Janie did not have to be a role model at all. She simply had to be a fully realized and complex character, which she was.”
― Their Eyes Were Watching God
― Their Eyes Were Watching God
“An alienated perspective is valuable in fiction because it establishes a new vision of a world we take to be solid and familiar.”
― The Awakening
― The Awakening
“It is this urge that resonates in Toni Morrison’s Song of Solomon and Beloved, and in Walker’s depiction of Hurston as our prime symbol of “racial health—a sense of black people as complete, complex, undiminished human beings, a sense that is lacking in so much black writing and literature.”
― Their Eyes Were Watching God
― Their Eyes Were Watching God
Allison’s 2025 Year in Books
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